by Robin Romm ‧ RELEASE DATE: July 1, 2007
Imaginative and insightful.
In the tradition of Judy Budnitz and Aimee Bender, an offbeat debut collection of stories about the relationships between parents and children.
Ellen, the mother figure in the first story, “The Arrival,” is terminally ill and impatiently waiting out her final days on the Oregon shore. A young woman mysteriously turns up on the beach nearby needing shelter, and Ellen is able to relate to her in a way that she and her daughter haven’t in a long time. The parent is the lost character in the next story, “Lost and Found,” about a grown Arizona woman who finds her long-missing father in the desert, only to have him take up too much space—literally and figuratively—in her life. Just as she is beginning to build her life around him, including introducing him to a man who was once important to her, he disappears. In “The Egg Game,” a couple tries to take care of an egg as they would a child in order to determine whether they are ready for parenthood—and they soon learn that it isn’t quite as easy as they thought. Becca, protagonist of “The Tilt,” helps her boyfriend mourn his brother’s accidental death. And in the title story, a man and a woman tend an unusual garden—one where they plant their presumably deceased mothers, rather than vegetation, and continue to interact with them in their afterlives. The bizarre twists in Romm’s otherwise familiar stories require the reader to take leaps of faith, but the author handles the material delicately and matter-of-factly, making it believable.
Imaginative and insightful.Pub Date: July 1, 2007
ISBN: 978-1-4165-3902-5
Page Count: 208
Publisher: Scribner
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 1, 2007
Share your opinion of this book
More by Robin Romm
BOOK REVIEW
by Robin Romm
BOOK REVIEW
edited by Robin Romm
BOOK REVIEW
by Robin Romm
by Tim O’Brien ‧ RELEASE DATE: March 28, 1990
It's being called a novel, but it is more a hybrid: short-stories/essays/confessions about the Vietnam War—the subject that O'Brien reasonably comes back to with every book. Some of these stories/memoirs are very good in their starkness and factualness: the title piece, about what a foot soldier actually has on him (weights included) at any given time, lends a palpability that makes the emotional freight (fear, horror, guilt) correspond superbly. Maybe the most moving piece here is "On The Rainy River," about a draftee's ambivalence about going, and how he decided to go: "I would go to war—I would kill and maybe die—because I was embarrassed not to." But so much else is so structurally coy that real effects are muted and disadvantaged: O'Brien is writing a book more about earnestness than about war, and the peekaboos of this isn't really me but of course it truly is serve no true purpose. They make this an annoyingly arty book, hiding more than not behind Hemingwayesque time-signatures and puerile repetitions about war (and memory and everything else, for that matter) being hell and heaven both. A disappointment.
Pub Date: March 28, 1990
ISBN: 0618706410
Page Count: 256
Publisher: Houghton Mifflin
Review Posted Online: Oct. 2, 2011
Kirkus Reviews Issue: Feb. 15, 1990
Share your opinion of this book
More by Tim O’Brien
BOOK REVIEW
by Tim O’Brien
BOOK REVIEW
by Tim O’Brien
BOOK REVIEW
by Tim O’Brien
More About This Book
SEEN & HEARD
IN THE NEWS
SEEN & HEARD
by Rattawut Lapcharoensap ‧ RELEASE DATE: Jan. 1, 2005
A newcomer to watch: fresh, funny, and tough.
Seven stories, including a couple of prizewinners, from an exuberantly talented young Thai-American writer.
In the poignant title story, a young man accompanies his mother to Kok Lukmak, the last in the chain of Andaman Islands—where the two can behave like “farangs,” or foreigners, for once. It’s his last summer before college, her last before losing her eyesight. As he adjusts to his unsentimental mother’s acceptance of her fate, they make tentative steps toward the future. “Farangs,” included in Best New American Voices 2005 (p. 711), is about a flirtation between a Thai teenager who keeps a pet pig named Clint Eastwood and an American girl who wanders around in a bikini. His mother, who runs a motel after having been deserted by the boy’s American father, warns him about “bonking” one of the guests. “Draft Day” concerns a relieved but guilty young man whose father has bribed him out of the draft, and in “Don’t Let Me Die in This Place,” a bitter grandfather has moved from the States to Bangkok to live with his son, his Thai daughter-in-law, and two grandchildren. The grandfather’s grudging adjustment to the move and to his loss of autonomy (from a stroke) is accelerated by a visit to a carnival, where he urges the whole family into a game of bumper cars. The longest story, “Cockfighter,” is an astonishing coming-of-ager about feisty Ladda, 15, who watches as her father, once the best cockfighter in town, loses his status, money, and dignity to Little Jui, 16, a meth addict whose father is the local crime boss. Even Ladda is in danger, as Little Jui’s bodyguards try to abduct her. Her mother tells Ladda a family secret about her father’s failure of courage in fighting Big Jui to save his own sister’s honor. By the time Little Jui has had her father beaten and his ear cut off, Ladda has begun to realize how she must fend for herself.
A newcomer to watch: fresh, funny, and tough.Pub Date: Jan. 1, 2005
ISBN: 0-8021-1788-0
Page Count: 224
Publisher: Grove
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 2004
Share your opinion of this book
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Hey there, book lover.
We’re glad you found a book that interests you!
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Don’t fret. We’ll find you.