by Robin Spielberg ‧ RELEASE DATE: Oct. 22, 2013
A well-paced musical memoir about the value of perseverance.
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A debut memoir of one woman’s quest to become a successful concert pianist, and the setbacks and triumphs she meets along the way.
As an energetic toddler brimming with creativity, Spielberg was left to play in a closed room for hours into the night. However, what her parents mistook for hyperactivity was, in fact, the budding of a musical prodigy. In this memoir, the author chronicles a series of events from her first touch of a piano key to her later multi-album success. She highlights the highs and lows of an artist journeying toward a career in music and doesn’t leave out personal mistakes or humiliating moments. In one chapter, she misjudges a friend’s verbal support and subsequently blasts an email with his endorsement to her fans. In another, she meets a man whom she confused for a fellow artist, who later became a stalker and scorned antagonist. These darker moments balance the book’s predominantly positive mood and give the story complexity, depth and a bit of relatable, raw reality. Spielberg’s commitment to straightforward storytelling allows her to avoid the sentimentality sometimes found in other memoirs. She allows events to speak for themselves, and the book reads like a series of episodes—a well-paced, readable collection of anecdotes that delicately leaves gaps of time between its chapters. Although an artist must appear flawless when onstage, the lifetime preceding that moment is anything but unblemished, and Spielberg reveals the perseverance, humility and self-awareness it takes to become a successful artist without becoming self-centered. Indeed, the author discovers that success in art means making an impact on an audience.
A well-paced musical memoir about the value of perseverance.Pub Date: Oct. 22, 2013
ISBN: 978-0970563354
Page Count: 357
Publisher: N/A
Review Posted Online: July 8, 2013
Review Program: Kirkus Indie
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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