BRAIDING SWEETGRASS

Wisdom about the natural world delivered by an able writer who is both Indigenous and an academic scientist.

“This braid is woven from three strands,” writes Kimmerer, an enrolled member of the Citizen Potawatomi Nation: “indigenous ways of knowing, scientific knowledge, and the story of an Anishinabekwe scientist trying to bring them together in service to what matters most.” The author’s 2013 book of essays on Native folkways concerning plants and their roles in human life is reissued here with new illustrations and design, a handsome production that well serves her engaging text, which will be of interest to readers schooled in the work of writers such as Wendell Berry, Leslie Marmon Silko, and Joy Harjo. In Anishinaabe belief, writes Kimmerer, sweetgrass “was the very first to grow on the earth,” a constant reminder of the creator called Skywoman. It holds a sacred role, and it represents an important component of what the author describes as “global ecosystems,” which speak to the possibility of positive interactions between humans and the natural environment, a welcome optimism given all the counterexamples one might produce of our destructive influences. Rethinking that possibility requires going to first principles. As Kimmerer writes, the English word bay is a noun, trapping a natural thing into a static category best reserved for dead things, whereas the Ojibwe word wiikwegamaa, turning the concept into a verb meaning “to be a bay,” “releases the water from bondage and lets it live.” Indigenous knowledge instructs those who seek healthy relations with their surroundings in many ways. Kimmerer writes of a teacher who directs us to walk in such a way “that each step is a greeting to Mother Earth” while the dread monster called the Windigo speaks metaphorically to our need to consume: “The more a Windigo eats, the more ravenous it becomes.”

A smart, subtle overlay of different systems of thought that together teach us to be better citizens of Earth.