A beautifully written exploration of identity, memory, power, and agency.
A missing woman’s past upends the lives of the women around her.
In Wasserman’s new novel, the author of Girls on Fire (2016) explores the lives of three women after one of them goes missing. Despite everyone telling her to move on, college student Alice is searching for her mother, who's disappeared. When she discovers her mother has gone missing before, she sets out to find her and the truth—which brings her to the door of Elizabeth Strauss. While working as a fellow at the Meadowlark Institute for Memory Research, Strauss, who at that time was going by the nickname Lizzie, was invited to join a once-in-a-lifetime project by “psychology’s latest golden god,” Dr. Benjamin Strauss (then her boss, now her recently deceased husband). The project? Studying Alice’s mother, aka Wendy Doe, a woman found on a bus without identification or memories, who's in a dissociative fugue state. Wendy’s perspective is also offered through lyrical diary entries in which she explores who she is, who she’s not, and what’s happening to her in the moment (which is all she has). Told in alternating perspectives by Alice, Elizabeth, and Lizzie, the novel is like a knot being slowly unraveled. While a bit disorienting at first, Wasserman’s choice to differentiate between Lizzie’s point of view (the past) and Elizabeth’s (the present) succeeds narratively and thematically. By offering one woman’s insights at different points in time, the novel explores the ways time, memory, and hindsight inform who we are and who we become. After completing an exercise where she lists every memory she’s had in the last two weeks, Lizzie realizes: “Almost everything that happens is forgotten. Decades swallowed. Maybe...the mystery isn’t why we forget some things and not others. Maybe the mystery is why we ever remember.” In addition to meditating on personhood and recollection, Wasserman deftly explores power dynamics, ambition, and the lingering scars of trauma.
A beautifully written exploration of identity, memory, power, and agency.Pub Date: July 7, 2020
ISBN: 978-1-9821-3949-0
Page Count: 288
Publisher: Scribner
Review Posted Online: March 28, 2020
Kirkus Reviews Issue: April 15, 2020
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.
A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.
When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.Pub Date: Feb. 6, 2024
ISBN: 9781250178633
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Nov. 4, 2023
Kirkus Reviews Issue: Dec. 1, 2023
PERSPECTIVES
BOOK TO SCREEN
SEEN & HEARD
Uneven but fitfully amusing.
Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.
Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.
Uneven but fitfully amusing.Pub Date: July 30, 2024
ISBN: 9781250899576
Page Count: 384
Publisher: Henry Holt
Review Posted Online: Sept. 13, 2024
BOOK REVIEW
BOOK REVIEW
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