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I WORKED HARD ON THAT!

Wall weaves a tale that may be too complex for its target audience; still, many youngsters will get caught up in this web.

Creating something worthwhile takes time, effort, and patience.

Since childhood, Kiara the spider has spun webs to catch food. Then she sees a web so beautiful that it inspires her to create something similar. Her initial efforts fail, and each time she achieves a breakthrough, another animal accidentally destroys the web. “Hey, I worked hard on that!” she protests. Discouraged, Kiara abandons artistry, then notices that the inspirational web’s gone. Orb, its weaver, suggests that the two collaborate, and the results are lovely. Next morning, hungry Orb breaks the web while grabbing a morsel from it; Kiara refuses to work with Orb again. When Kiara accidentally destroys Paws the squirrel’s “sculpture,” all’s forgiven because, as Paws explains, “I learned a thing or two for my next piece.” Kiara’s never thought about art like that, and she, Paws, and Orb join artistic forces. This thought-provoking story about the nature of creativity is geared more to adult sensibilities; young children are generally more interested in the fun process of making art than in perfecting their craft, as Kiara does. Terms such as dimension and scale and phrases such as “on the cusp of something” won’t be meaningful to youngsters. It’s commendable, however, that expressive Kiara is portrayed determinedly pursuing her passion; she’s also an exemplar of self-confident persistence. The colorful digital illustrations are by turns delicate and lively and incorporate examples of creative typesetting; those intricate webs are spectacular.

Wall weaves a tale that may be too complex for its target audience; still, many youngsters will get caught up in this web. (Picture book. 5-8)

Pub Date: Oct. 8, 2024

ISBN: 9781665938723

Page Count: 48

Publisher: Simon & Schuster

Review Posted Online: July 19, 2024

Kirkus Reviews Issue: Aug. 15, 2024

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CLAYMATES

The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted...

Reinvention is the name of the game for two blobs of clay.

A blue-eyed gray blob and a brown-eyed brown blob sit side by side, unsure as to what’s going to happen next. The gray anticipates an adventure, while the brown appears apprehensive. A pair of hands descends, and soon, amid a flurry of squishing and prodding and poking and sculpting, a handsome gray wolf and a stately brown owl emerge. The hands disappear, leaving the friends to their own devices. The owl is pleased, but the wolf convinces it that the best is yet to come. An ear pulled here and an extra eye placed there, and before you can shake a carving stick, a spurt of frenetic self-exploration—expressed as a tangled black scribble—reveals a succession of smug hybrid beasts. After all, the opportunity to become a “pig-e-phant” doesn’t come around every day. But the sound of approaching footsteps panics the pair of Picassos. How are they going to “fix [them]selves” on time? Soon a hippopotamus and peacock are staring bug-eyed at a returning pair of astonished hands. The creative naiveté of the “clay mates” is perfectly captured by Petty’s feisty, spot-on dialogue: “This was your idea…and it was a BAD one.” Eldridge’s endearing sculpted images are photographed against the stark white background of an artist’s work table to great effect.

The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted fun of their own . (Picture book. 5-8)

Pub Date: June 20, 2017

ISBN: 978-0-316-30311-8

Page Count: 40

Publisher: Little, Brown

Review Posted Online: March 28, 2017

Kirkus Reviews Issue: April 15, 2017

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THE WONKY DONKEY

Hee haw.

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The print version of a knee-slapping cumulative ditty.

In the song, Smith meets a donkey on the road. It is three-legged, and so a “wonky donkey” that, on further examination, has but one eye and so is a “winky wonky donkey” with a taste for country music and therefore a “honky-tonky winky wonky donkey,” and so on to a final characterization as a “spunky hanky-panky cranky stinky-dinky lanky honky-tonky winky wonky donkey.” A free musical recording (of this version, anyway—the author’s website hints at an adults-only version of the song) is available from the publisher and elsewhere online. Even though the book has no included soundtrack, the sly, high-spirited, eye patch–sporting donkey that grins, winks, farts, and clumps its way through the song on a prosthetic metal hoof in Cowley’s informal watercolors supplies comical visual flourishes for the silly wordplay. Look for ready guffaws from young audiences, whether read or sung, though those attuned to disability stereotypes may find themselves wincing instead or as well.

Hee haw. (Picture book. 5-7)

Pub Date: May 1, 2010

ISBN: 978-0-545-26124-1

Page Count: 26

Publisher: Scholastic

Review Posted Online: Dec. 28, 2018

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