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CRUNCHY CONS

HOW BIRKENSTOCKED BURKEANS, GUN-LOVING ORGANIC GARDENERS, EVANGELICAL FREE-RANGE FARMERS, HIP HOMESCHOOLING MAMAS, RIGHT-WING NATURE LOVERS, AND THEIR DIVERSE TRIBE OF COUNTERCULTURAL CONSERVATIVES PLAN TO SAVE AMERICA (OR AT LEAST THE REPUBLICAN PARTY)

An idealistic manifesto from and for the right wing, insistent on goodness, before it’s too late.

Thirtysomething journalist Dreher preaches a political third way, entreating well-meaning Republicans to repair the world and to play nicely with those detested lefties.

The programs of the left and the right, he proposes, may be equally concerned with faith, family and community. With ecclesiastical fervor, he urges “crunchy” conservatives and open-minded Republicans to take a new view of some touchstone topics. Technology alone is not an ultimate value, right-wingers are reminded. Slow food is better than fast food, and home cooking releases some nice enzymes. The author shops at Whole Foods, listens to NPR and thinks McMansions can’t beat the Arts and Crafts bungalows of old. A clean environment is essential, and he looks forward to the greening of the GOP. Forget about raw materialism and remember family values, he pleads (Mrs. Dreher and their kids are presented as testimony to those values). Religion is paramount to the author, an earnest recruit to the Church of Rome who, like W, finds redemption in his faith. Indeed, Christianity, or its reasonable facsimile, is the bedrock of the crunchy conservative program Dreher first proposed a few years ago in the National Review. It should be noted, however, that the primary conservative feature of this counterculture Gospel According to Rod is the title claiming conservatism. Much of Dreher’s flower-child presentation—he offers lessons from Russell Kirk, E.E. Schumacher and Wendell Berry along the way—can be subscribed to by lefties and libertarians alike.

An idealistic manifesto from and for the right wing, insistent on goodness, before it’s too late.

Pub Date: Feb. 21, 2006

ISBN: 1-4000-5064-2

Page Count: 256

Publisher: Crown Forum

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 15, 2005

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A PEOPLE'S HISTORY OF THE UNITED STATES

For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.

Pub Date: Jan. 1, 1979

ISBN: 0061965588

Page Count: 772

Publisher: Harper & Row

Review Posted Online: May 26, 2012

Kirkus Reviews Issue: Jan. 1, 1979

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I KNOW WHY THE CAGED BIRD SINGS

However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.

Maya Angelou is a natural writer with an inordinate sense of life and she has written an exceptional autobiographical narrative which retrieves her first sixteen years from "the general darkness just beyond the great blinkers of childhood."

Her story is told in scenes, ineluctably moving scenes, from the time when she and her brother were sent by her fancy living parents to Stamps, Arkansas, and a grandmother who had the local Store. Displaced they were and "If growing up is painful for the Southern Black girl, being aware of her displacement is the rust on the razor that threatens the throat." But alternating with all the pain and terror (her rape at the age of eight when in St. Louis With her mother) and humiliation (a brief spell in the kitchen of a white woman who refused to remember her name) and fear (of a lynching—and the time they buried afflicted Uncle Willie under a blanket of vegetables) as well as all the unanswered and unanswerable questions, there are affirmative memories and moments: her charming brother Bailey; her own "unshakable God"; a revival meeting in a tent; her 8th grade graduation; and at the end, when she's sixteen, the birth of a baby. Times When as she says "It seemed that the peace of a day's ending was an assurance that the covenant God made with children, Negroes and the crippled was still in effect."

However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.

Pub Date: Feb. 1, 1969

ISBN: 0375507892

Page Count: 235

Publisher: Random House

Review Posted Online: May 14, 2012

Kirkus Reviews Issue: Feb. 1, 1969

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