by Roda Ahmed & Charnaie Gordon ; illustrated by Chloe Burgett ‧ RELEASE DATE: Oct. 17, 2023
For the little divas who need a little nudge to perform as big as their dreams.
A young girl must overcome stage fright.
The first thing you must know about Etta Extraordinaire is that she is nothing less than fab-tacular, complete with a feather boa and pearls from her late Grandma Bess. “She can pluck a poem out of thin air, make a megaphone from old magazines, and can always find a lucky penny.” When the young Black girl finds a note for the school’s talent show, her visions of grandeur go into overdrive—until she remembers, with butterflies in her tummy, that she’s never performed onstage before. Etta puts in motion a four-step plan to make the ordinary extraordinary. Scrounging up supplies from around her home, Etta creates a makeshift stage, practices, finds a costume, and puts on a show in her own room. But belting out tunes onstage in front of people is a different story. When the big moment arrives, our on-the-fly diva has no plan for a case of the jitters. Just as she’s shaking in her lucky pearls, she takes a deep breath, opens her eyes, and suddenly gets a much-needed boost from the ones who love and support her. The digital illustrations are sprightly and vivid, filling each page with details to entertain the eyes, while the story will speak to anyone who’s ever been wracked by performance anxiety.
For the little divas who need a little nudge to perform as big as their dreams. (Picture book. 4-8)Pub Date: Oct. 17, 2023
ISBN: 9780063295711
Page Count: 40
Publisher: Harper/HarperCollins
Review Posted Online: Sept. 23, 2023
Kirkus Reviews Issue: Oct. 15, 2023
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by Roda Ahmed & Charnaie Gordon ; illustrated by Chloe Burgett
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by Tish Rabe ; illustrated by Laura Hughes ‧ RELEASE DATE: June 21, 2016
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
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by Tish Rabe ; illustrated by Sarah Jennings
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by Tish Rabe ; illustrated by Dan Yaccarino
by JaNay Brown-Wood ; illustrated by Hazel Mitchell ‧ RELEASE DATE: Oct. 14, 2014
While the blend of folklore, fantasy and realism is certainly far-fetched, Imani, with her winning personality, is a child...
Imani endures the insults heaped upon her by the other village children, but she never gives up her dreams.
The Masai girl is tiny compared to the other children, but she is full of imagination and perseverance. Luckily, she has a mother who believes in her and tells her stories that will fuel that imagination. Mama tells her about the moon goddess, Olapa, who wins over the sun god. She tells Imani about Anansi, the trickster spider who vanquishes a larger snake. (Troublingly, the fact that Anansi is a West African figure, not of the Masai, goes unaddressed in both text and author’s note.) Inspired, the tiny girl tries to find new ways to achieve her dream: to touch the moon. One day, after crashing to the ground yet again when her leafy wings fail, she is ready to forget her hopes. That night, she witnesses the adumu, the special warriors’ jumping dance. Imani wakes the next morning, determined to jump to the moon. After jumping all day, she reaches the moon, meets Olapa and receives a special present from the goddess, a small moon rock. Now she becomes the storyteller when she relates her adventure to Mama. The watercolor-and-graphite illustrations have been enhanced digitally, and the night scenes of storytelling and fantasy with their glowing stars and moons have a more powerful impact than the daytime scenes, with their blander colors.
While the blend of folklore, fantasy and realism is certainly far-fetched, Imani, with her winning personality, is a child to be admired. (Picture book. 5-8)Pub Date: Oct. 14, 2014
ISBN: 978-1-934133-57-6
Page Count: 32
Publisher: Mackinac Island Press
Review Posted Online: July 28, 2014
Kirkus Reviews Issue: Aug. 15, 2014
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by JaNay Brown-Wood ; illustrated by Tamisha Anthony
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by JaNay Brown-Wood ; illustrated by Olivia Amoah
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by JaNay Brown-Wood ; illustrated by John Joven
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