A warm, frank, and very funny account of family life and pregnancy as Irish writer Doyle (The Commitments, 1989; also see below) continues the saga of the endearing working-class Rabbitte family of Barrytown, Dublin. A playwright as well as novelist, Doyle tells the story of 19-year-old Sharon Rabbitte's surprise pregnancy almost entirely in dialogue. In less gifted hands, the experience would be claustrophobic, but with Doyle the reader becomes the undetected fly on the wall able to relish the unguarded talk as Sharon plucks up courage to relay the news first to her mom and dad (Veronica and Jimmy, Sr.) and her siblings, and then to the toughest group—her girlfriends—who, ribald and skeptical, want to know everything. But Sharon isn't telling who the father of her "snapper" is, which naturally fuels speculation, especially when the father of one of her friends insists he's responsible. Sharon tries to deflect the gossip by claiming that while drunk she'd been seduced by a nameless Spanish sailor, "but she knew this as well: everyone would prefer to believe that she'd got off with Mr. Burgess. It was a bigger piece of scandal and better gas." For a while, Jimmy, Sr., feels his friends at the pub are laughing at him, and he blames Sharon; but Jimmy, a wonderfully complex and good man, realizes he's being unfair and, to make up, concentrates on Sharon's pregnancy in earnest. From library books, he learns as much about sex as pregnancy—information that he shares with his pub pals while keeping close tabs on Sharon's condition: "She was getting really tired of her dad; all his questions—he was becoming a right pain in the neck." There are the usual ups and downs of family life, but when Sharon sees her baby "and about as Spanish-looking as—she didn't care. She was gorgeous. And hers." Life and pregnancy as it really is: scatological, unsentimental, and, in spite of it all, with lots to laugh at. Not a false note anywhere.
Pub Date: Aug. 1, 1992
ISBN: 0-14-017167-3
Page Count: 224
Publisher: Penguin
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 1992
Absolutely enthralling. Read it.
A young Irish couple gets together, splits up, gets together, splits up—sorry, can't tell you how it ends!
Irish writer Rooney has made a trans-Atlantic splash since publishing her first novel, Conversations With Friends, in 2017. Her second has already won the Costa Novel Award, among other honors, since it was published in Ireland and Britain last year. In outline it's a simple story, but Rooney tells it with bravura intelligence, wit, and delicacy. Connell Waldron and Marianne Sheridan are classmates in the small Irish town of Carricklea, where his mother works for her family as a cleaner. It's 2011, after the financial crisis, which hovers around the edges of the book like a ghost. Connell is popular in school, good at soccer, and nice; Marianne is strange and friendless. They're the smartest kids in their class, and they forge an intimacy when Connell picks his mother up from Marianne's house. Soon they're having sex, but Connell doesn't want anyone to know and Marianne doesn't mind; either she really doesn't care, or it's all she thinks she deserves. Or both. Though one time when she's forced into a social situation with some of their classmates, she briefly fantasizes about what would happen if she revealed their connection: "How much terrifying and bewildering status would accrue to her in this one moment, how destabilising it would be, how destructive." When they both move to Dublin for Trinity College, their positions are swapped: Marianne now seems electric and in-demand while Connell feels adrift in this unfamiliar environment. Rooney's genius lies in her ability to track her characters' subtle shifts in power, both within themselves and in relation to each other, and the ways they do and don't know each other; they both feel most like themselves when they're together, but they still have disastrous failures of communication. "Sorry about last night," Marianne says to Connell in February 2012. Then Rooney elaborates: "She tries to pronounce this in a way that communicates several things: apology, painful embarrassment, some additional pained embarrassment that serves to ironise and dilute the painful kind, a sense that she knows she will be forgiven or is already, a desire not to 'make a big deal.' " Then: "Forget about it, he says." Rooney precisely articulates everything that's going on below the surface; there's humor and insight here as well as the pleasure of getting to know two prickly, complicated people as they try to figure out who they are and who they want to become.
Absolutely enthralling. Read it.Pub Date: April 16, 2019
ISBN: 978-1-984-82217-8
Page Count: 288
Publisher: Hogarth
Review Posted Online: Feb. 17, 2019
Kirkus Reviews Issue: March 1, 2019
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"This soil," concludes the young narrator of this quiet chronicle of garrotted innocence, "is bad for all kinds of flowers. Certain seeds it will not nurture, certain fruit it will not bear." And among the exclusions of white rural Ohio, echoed by black respectability, is ugly, black, loveless, twelve-year-old Pecola. But in a world where blue-eyed gifts are clucked over and admired, and the Pecolas are simply not seen, there is always the possibility of the dream and wish—for blue eyes. Born of a mother who adjusted her life to the clarity and serenity of white households and "acquired virtues that were easy to maintain" and a father, Cholly, stunted by early rejections and humiliations, Pecola just might have been loved—for in raping his daughter Cholly did at least touch her. But "Love is never better than the lover," and with the death of her baby, the child herself, accepting absolutely the gift of blue eyes from a faith healer (whose perverse interest in little girls does not preclude understanding), inches over into madness. A skillful understated tribute to the fall of a sparrow for whose small tragedy there was no watching eye.
Pub Date: Oct. 29, 1970
ISBN: 0375411550
Page Count: -
Publisher: Holt Rinehart & Winston
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: Oct. 1, 1970
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