A beaten-up van dispensing fish and chips, not some clearing in the deep woods, is the setting for Doyle's warm, humorous, and cleareyed look at male friendship—in this his third book featuring the irrepressible Rabbitte family of Dublin (The Commitments, 1989; The Snapper, see above). When Jimmy Rabbitte, Sr., loses his job, he tries to make the best of it, but what he misses most are his evenings in the local pub with his friends ("it wasn't the pints Jimmy, Sr., loved...it was the lads here, the laughing. This was what he loved"). He joins the library, develops a taste for Dickens, and takes care of granddaughter Gina; but when his best friend Bimbo is "made redundant," he's delighted because now, "only with the two of them, they could do plenty of things." And when Bimbo decides to buy a rusting old chipper van, Jimmy accepts his offer to join him in the venture. After much effort, the van is cleaned up, recipes are tested, and the two men are set to sell fish, chips, and burgers to football crowds and pub-goers. Despite any certification from the Health Department, they are a great success, but then the football season ends, business falters, and Jimmy, Sr., misses the fun of the old days—"He'd been starting to think that Bimbo had lost his sense of humor from hanging over the deep-fat fryer too long." Meanwhile, Bimbo, egged on by entrepreneurial wife Maggie, becomes bossy and assertive. An encounter with officialdom provokes a crisis in their already fraying friendship, and Bimbo drives the van into the sea; but Jimmy, not so sure the friendship can be restored, returns wet and exhausted to wife Veronica: "Give us a hug, Veronica, will yeh...I need a hug." Aa usual, Doyle has got it all just right—this is what friendships and families are really like: stubborn, contrary, loving, and, aware of life's absurdities, always ready to be cheered by a good laugh. Vintage Doyle.
Pub Date: Aug. 1, 1992
ISBN: 0140260021
Page Count: 320
Publisher: Viking
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 1992
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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