Willis Holt’s When Zachary Beaver Came To Town (1999). (Fiction. 11-13)
Preachy, predictable tale of an overweight lad who saves the universe while gaining self-esteem—a large step back from
Philbrick’s Freak the Mighty (1993). The odd helmet that Arthur Woodbury, a.k.a. "Biscuit Butt," receives on his 11th birthday projects him into another world—but because he doesn’t read the instructions carefully, he opens a crack in the cosmos through which all-destroying Nothing begins to seep. Acquiring an inscrutable, monkey-like sidekick, Arthur is propelled into encounters with froglike Frog People, winged Cloud People, and other residents of REM World, all of whom bolster his self-confidence with platitudes ("You are whatever you think you are. What you believe yourself to be," etc.) and send him on his way to the demon Vydel, who alone can tell him how to get back to his own dimension. Even readers uncritical enough to enjoy the author’s lame efforts at wit—burps of epic proportion, avian monsters dubbed borons ("bird" + "moron")—will find Arthur’s adventures so obviously freighted with Purpose as to be almost devoid of danger or suspense. Unsurprisingly, he has only to envision home to be there—and when he wakes up, both the cloud of Nothing and his excess poundage have melted away. Look for more engaging aliens in books like Annette Curtis Klause’s Alien Secrets and a far more memorable fat kid in Kimberly
Willis Holt’s When Zachary Beaver Came To Town (1999). (Fiction. 11-13)Pub Date: May 1, 2000
ISBN: 0-439-08362-1
Page Count: 192
Publisher: Scholastic
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 2000
BOOK REVIEW
BOOK REVIEW
PLB 0-688-13166-2 King Midas And The Golden Touch ($16.00; PLB $15.63; Apr.; 32 pp.; 0-688-13165-4; PLB 0-688-13166-2): The familiar tale of King Midas gets the golden touch in the hands of Craft and Craft (Cupid and Psyche, 1996). The author takes her inspiration from Nathaniel Hawthorne’s retelling, capturing the essence of the tale with the use of pithy dialogue and colorful description. Enchanting in their own right, the illustrations summon the Middle Ages as a setting, and incorporate colors so lavish that when they are lost to the uniform gold spurred by King Midas’s touch, the point of the story is further burnished. (Picture book. 7-9)
Pub Date: April 1, 1999
ISBN: 0-688-13165-4
Page Count: 32
Publisher: Morrow/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 1999
Lunge-Larsen and Preus debut with this story of a flower that blooms for the first time to commemorate the uncommon courage of a girl who saves her people from illness. The girl, an Ojibwe of the northern woodlands, knows she must journey to the next village to get the healing herb, mash-ki- ki, for her people, who have all fallen ill. After lining her moccasins with rabbit fur, she braves a raging snowstorm and crosses a dark frozen lake to reach the village. Then, rather than wait for morning, she sets out for home while the villagers sleep. When she loses her moccasins in the deep snow, her bare feet are cut by icy shards, and bleed with every step until she reaches her home. The next spring beautiful lady slippers bloom from the place where her moccasins were lost, and from every spot her injured feet touched. Drawing on Ojibwe sources, the authors of this fluid retelling have peppered the tale with native words and have used traditional elements, e.g., giving voice to the forces of nature. The accompanying watercolors, with flowing lines, jewel tones, and decorative motifs, give stately credence to the story’s iconic aspects. (Picture book/folklore. 4-8)
Pub Date: March 1, 1999
ISBN: 0-395-90512-5
Page Count: 32
Publisher: Houghton Mifflin
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 1999
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