A warm homage filled with both fond and painful memories.
An account of the days of a remarkable couple.
In a slender, affectionate memoir, film director and screenwriter Garcia pays tribute to his father, Nobel Prize–winning author Gabriel García Márquez (1927-2014), and his mother, Mercedes Barcha, who died in 2020. His father’s life, Garcia reflects, seemed to him “one of the most fortunate and privileged” ever enjoyed by a Latin American. Yet Garcia was impelled to make “a deliberate, if unconscious choice” to distance himself from his father’s fame by living and working in Los Angeles. He traveled frequently to Mexico during his father’s final years, when García Márquez descended into dementia, able to recall only those whom he saw daily—a secretary, driver, cook, and, of course, his beloved wife. When Garcia and his brother visited, he looked at them “with uninhibited curiosity” but no recognition. The man they were speaking to, though welcoming, was “hardly there at all.” However, his death, while expected, still felt like a shock. “Beyond the sadness,” Garcia writes, “is the disbelief that such an exuberant, expansive man, forever intoxicated with life and with the travails of the living, has been extinguished.” When his mother died six years later, the sense of loss was compounded. “The death of the second parent is like looking through a telescope one night and no longer finding a planet that has always been there,” he writes. “It has vanished, with its religion, its customs, its own peculiar habits and rituals, big and small. The echo remains.” Although his parents were determined to keep their personal lives private from inquiring journalists and literary fans, Garcia recounts in sensitive detail his father’s last days. “My father,” he writes, “complained that one of the things he hated most about death was that it was the only aspect of his life he would not be able to write about.” His son sensitively completes the story, and he includes family photos.
A warm homage filled with both fond and painful memories.Pub Date: July 27, 2021
ISBN: 978-0-06-315833-7
Page Count: 172
Publisher: HarperVia
Review Posted Online: April 28, 2021
Kirkus Reviews Issue: May 15, 2021
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorker staff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.
A former New York City dancer reflects on her zesty heyday in the 1970s.
Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.Pub Date: July 12, 2022
ISBN: 978-1-250-27827-2
Page Count: 192
Publisher: St. Martin's
Review Posted Online: July 27, 2022
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