by Roger D. Hodge ‧ RELEASE DATE: Oct. 5, 2010
A harsh blast timed to arrive before the fall elections—sure to stir controversy.
From the left, a polemic charging President Obama with choosing pragmatism over principle, mendacity over audacity.
Expanding on his article that appeared in Harper’s, Hodge, the former editor in chief of that magazine, pulls no punches in his critique of the Obama administration’s record thus far. He asserts that Obama has “squandered his historic opportunity” and is pursuing the same evil ends as those of the previous administration. The author stoops to sarcasm and invective against his present-day targets, but adopts a more professorial voice when analyzing the historical forces that are at the root of the American political system. Besides referring to the president as Archangel Obama, Hodge sees Vice President Biden as “a plagiarist buffoon” and Chief of Staff Rahm Emanuel as “thuggish.” After critiquing the failures of Obama to live up to his campaign promises—in which he characterizes his “brainy and innovative techno-financial coalition” as “the bastard offspring of Alexander Hamilton and the worst nightmares of the anti-federalists and Jeffersonian republicans made flesh”—the author turns back to an examination of the Founding Fathers’ arguments over political philosophy, the nature of the Constitution and the extent of executive power. So what is the country to do? Hodges opines that a good start would be a constitutional amendment stripping corporations of the rights of personhood and thus the rights of free speech, and minimizing the use of private money in political campaigns. The author also suggests drawing lots to determine who could run for office and placing an upper limit on the net worth of elected representatives. However, the real problem, he writes, is that Americans lack political will. He argues for a kind of class warfare, a disciplined public movement to remove the corrupt influence of money from our political system. Barring that, he writes, we must at least stop pretending that “some attractive and eloquent corporate tool like Obama might save us.”
A harsh blast timed to arrive before the fall elections—sure to stir controversy.Pub Date: Oct. 5, 2010
ISBN: 978-0-06-201126-8
Page Count: 272
Publisher: Harper/HarperCollins
Review Posted Online: Aug. 2, 2010
Kirkus Reviews Issue: Aug. 15, 2010
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by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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by Howard Zinn ; adapted by Rebecca Stefoff with by Ed Morales
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by Howard Zinn with Ray Suarez
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by Howard Zinn
by Maya Angelou ‧ RELEASE DATE: Feb. 1, 1969
However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.
Maya Angelou is a natural writer with an inordinate sense of life and she has written an exceptional autobiographical narrative which retrieves her first sixteen years from "the general darkness just beyond the great blinkers of childhood."
Her story is told in scenes, ineluctably moving scenes, from the time when she and her brother were sent by her fancy living parents to Stamps, Arkansas, and a grandmother who had the local Store. Displaced they were and "If growing up is painful for the Southern Black girl, being aware of her displacement is the rust on the razor that threatens the throat." But alternating with all the pain and terror (her rape at the age of eight when in St. Louis With her mother) and humiliation (a brief spell in the kitchen of a white woman who refused to remember her name) and fear (of a lynching—and the time they buried afflicted Uncle Willie under a blanket of vegetables) as well as all the unanswered and unanswerable questions, there are affirmative memories and moments: her charming brother Bailey; her own "unshakable God"; a revival meeting in a tent; her 8th grade graduation; and at the end, when she's sixteen, the birth of a baby. Times When as she says "It seemed that the peace of a day's ending was an assurance that the covenant God made with children, Negroes and the crippled was still in effect."
However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.Pub Date: Feb. 1, 1969
ISBN: 0375507892
Page Count: 235
Publisher: Random House
Review Posted Online: May 14, 2012
Kirkus Reviews Issue: Feb. 1, 1969
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by Maya Angelou
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by Maya Angelou
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by Maya Angelou and illustrated by Steve Johnson and Lou Fancher
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