by Roger Daltrey ‧ RELEASE DATE: Oct. 23, 2018
Unaffected, lucid, and entertaining: One of the best rock memoirs in recent memory.
The lead singer of The Who tells all—sometimes laconically, sometimes archly, but always unflinchingly.
Daltrey begins and ends his charming, too-short memoir with a common trope: a teacher who tells him he’ll never amount to anything. He reveals a rosebud early on, too: a flannel shirt that his loving mother bought him so that he wouldn’t have to suffer his school’s “itchy, scratchy, horrible, bloody pullover.” Toughened by the hardscrabble neighborhood in which he was raised, beaten up for his refusal to back down, Daltrey earned a reputation for bellicosity, including punching out his band mates in The Who, the band he founded and to which longtime foil Pete Townshend was a latecomer. (In one notorious row, Townshend punched first, getting knocked out for his troubles.) The author’s affection for his band mates is evident, though he is less than patient with the late bassist John Entwistle, who never played at any volume other than loud and spent his considerable fortune on drugs. Along the way, Daltrey reveals a few tricks of the trade, including how he came to swing his microphone so vigorously and potentially lethally. “I started twirling my microphone not because of my ego,” he writes, “but because I didn’t know what to do with my hands during the solos.” He also reveals how the band’s considerable stagecraft evolved as a way to fill a stadium that, unlike the Beatles’ audiences, was not overrun by screaming girls. Thus they made their own deafening roar, for which reason, notes Daltrey with pleasing self-deprecation, “septuagenarian Pete and me have to ask you to say that again, only a bit louder.” The author praises Townshend for his indefatigability and work ethic, but it’s clear he lacks neither: After all, while his mates were doing drugs, he was stripping varnish off medieval beams and building lakes on his country estate, a pastime he recommends. Throughout, he allows, he’s been “a lucky bugger.”
Unaffected, lucid, and entertaining: One of the best rock memoirs in recent memory.Pub Date: Oct. 23, 2018
ISBN: 978-1-250-29603-0
Page Count: 272
Publisher: Henry Holt
Review Posted Online: Oct. 23, 2018
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
by Jon Krakauer ‧ RELEASE DATE: Jan. 1, 1996
A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...
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The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990).
Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.
Pub Date: Jan. 1, 1996
ISBN: 0-679-42850-X
Page Count: 320
Publisher: Villard
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 1995
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