by Roger Roffman ‧ RELEASE DATE: April 20, 2014
Roffman's debut adeptly straddles the line between academia and narrative nonfiction, delivering a slice of history that...
A memoir/treatise on marijuana that rises above most similar discussions.
Now that marijuana is legal in two states—and will likely be so throughout the remainder of the country in the not-too-distant future—it’s likely that the next generations of pot smokers won't realize how the drug's illegality had such a profound effect on pop culture. For instance, if Paul McCartney had access to all the marijuana his heart desired, would Rubber Soul have been Rubber Soul? that marijuana is readily accessible, within the next decade, the war on weed will be looked upon the way we view Prohibition: with a great big roll of eyes. All of which is why Roffman's (Emeritus, Social Work/Univ. of Washington) book is so important—so we'll remember. The author writes about the drug's history and his personal relationship with the leaf with an accessible voice that makes the contextual material read as smoothly as the anecdotal. However, it’s the personal stories that help the book stand out from the plethora of marijuana-focused books that have been released over the past several years. As a social work officer in Saigon during the Vietnam War, Roffman witnessed the positive effects that marijuana can have on mental health. After the war, he came to learn that weed was also a great help in alleviating physical suffering. Granted, this is all now common knowledge, but the author’s personal journey is so engaging that we're happy to relearn lessons that will permanently reshape culture as we know it. “These four plus decades of tilting at marijuana myths while seeking common ground have generated many stories,” he writes. “Perhaps they’ll be useful for readers finding themselves on a similar quest.”
Roffman's debut adeptly straddles the line between academia and narrative nonfiction, delivering a slice of history that even teetotalers will appreciate.Pub Date: April 20, 2014
ISBN: 978-1-60598-546-6
Page Count: 352
Publisher: Pegasus
Review Posted Online: March 5, 2014
Kirkus Reviews Issue: March 15, 2014
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by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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PERSPECTIVES
by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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