With a lighter touch Rosenblatt might have produced a successful wry comedy.
A businessman almost destroys a liberal-arts college in this scattershot satire from essayist/commentator Rosenblatt (Lapham Rising, 2006, etc.).
Ancient, prestigious Beet College, north of Boston, was founded by a pig farmer. The hog motif is ubiquitous, so it’s fitting that the chairman of the board of trustees, Joel Bollovate, the mighty real-estate developer, is quite a pig himself. Bollovate is threatening to close the college; the $265 million endowment has been spent. He has issued an ultimatum. Unless the faculty can come up with a new curriculum that will bring in big bucks fast, it’s doomsday. Young Professor Peace Porterfield is chosen to chair the CCR (committee on curriculum reform). Idealistic and unworldly, Peace is a hero in the Frank Capra/Jimmy Stewart mold. He believes the heart of a university is teaching and learning, not committees, but he accepts the challenge, though his colleagues are a bunch of craven PC buffoons, and the CCR meetings go nowhere. Aside from the cartoonish villain Bollovate, Rosenblatt reserves his most withering scorn for the faculty, but he also jabs at a handful of disruptive students bent on nihilistic indolence. Their leader is a transfer student, a Southern belle desperate to conceal her past, who is being courted unsuccessfully by a faux Arab, Akim Ben Laden, actually a Jewish kid rebelling against his despotic father, a rabbi. The students’ antics, which include the occupation of two buildings, fill up the hole where a plot should have been, but the humor falls flat. In welcome contrast is a straightforward description of Peace teaching a poetry class; Rosenblatt celebrates beautifully the joy of the classroom before returning to more antics. Akim, in his off-campus cave, makes an amazing online discovery about Bollovate that ends the story.
With a lighter touch Rosenblatt might have produced a successful wry comedy.Pub Date: Jan. 29, 2008
ISBN: 978-0-06-134427-5
Page Count: 240
Publisher: Ecco/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2007
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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