by Roland Barthes translated by Richard Howard ‧ RELEASE DATE: July 1, 1980
Eight not-so-new essays, as ingenious and exasperating as ever, by the late M. Barthes. These pieces, which date from 1964 to 1971, were originally published along with Le degré zéro de l'écriture in 1972. They add nothing of substance to the Barthesian canon (most are brief reflections on classic, or at least familiar, French authors, from La Rochefoucauld to Proust), but they provide a sampling of all that is most brilliant—and most dubious—in the work of the great Structuralist mandarin. For all his scientific pretensions (and his pedantic love of abstruse terms), Barthes was a poet. His style, to which translator Richard Howard does almost perfect justice, positively caresses the literary object with a sort of refined intellectual voluptuousness. (Discussing Pierre Loti's novel Aziyadé, Barthes savors "the sensuous, plump palatization of the y" in the title.) This uncanny sensitivity, along with his formidable analytical skills, makes Bartles an illuminating guide to things like Chateaubriand's Life of Rancé or the use of names in Proust. Still, what Barthes actually does with literature often seems irrelevant or downright destructive—less concerned with the text than with weaving interpretations around it. Aziyadé, he says, is an insipid novel—but the disjunction separating Julien Viaud (the author, a naval officer and world traveler), Pierre Loti (his pseudonym and literary self), and a second Loti (protagonist of the story) creates all kinds of opportunities for Structuralist gymnastics. This indifference to content in the traditional sense reminds one of nihilism, and in fact at one point Barthes observes that in literature, as in life, "there is ultimately nothing to understand." But still worse is Barthes' penchant for oracular utterances, often obscure (what is "a nascent schizophrenia, prudently formed in a homeopathic quantity"?) and always dogmatic ("antithesis is. . . a mechanism quite devoid of meaning"). This can lead, at best, to a string of thought-provoking dicta, but in any case it fails to leave the reader with a coherent view of the work in question.
Pub Date: July 1, 1980
ISBN: 0810126419
Page Count: 136
Publisher: Hill and Wang/Farrar, Straus and Giroux
Review Posted Online: Oct. 10, 2011
Kirkus Reviews Issue: July 1, 1980
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by Roland Barthes & translated by Richard Howard and Annette Lavers
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson
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by E.T.A. Hoffmann & illustrated by Julie Paschkis
by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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