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A RUSSIAN REQUIEM

After his lyrical literary debut (Leaving Losapas, 1991), Merullo ventures into more commercial territory—in a highbrow thriller set during Russia's 1991 ``undeclared civil war.'' Based on an intimate knowledge of the Soviet Union, Merullo's timely and intriguing narrative juxtaposes the careers of two bureaucrats—both decent, ordinary men who find themselves acting heroically after years of mistakes and compromises. Approaching 50, Anton Czesich, an American descended partly from Russian immigrants, has followed a safe course as a diplomat in the information services. But his personal life's a mess—a failed marriage, and a gay son who hates him. His latest assignment (to oversee food-relief efforts in the ``Stalinist backwater'' of Vostok) reunites him with his former lover, a fellow diplomat stationed in Moscow. But the State Department, afraid of becoming too embroiled in Russia's internal affairs, throws a wrench into the works and postpones the food delivery. Czesich takes things into his own hands, hoping to bring off ``the command performance in a career of consummate bullshitting.'' In Vostok without authorization, Czesich eventually joins with Sergei Propenko, a midlevel Party functionary who's being used as a pawn between Moscow's Yeltsinites and local Party loyalists, who are disgusted with the notion of US aid. Where Czesich hopes to fulfill some vague 60's-ish pledge to change the world, Propenko acts bravely to restore himself in his family's eyes. His daughter, Lydia, is a follower of the radical priest Father Alexei, who leads local strikes against the Party. Things play themselves out with intensity and credibility, culminating in an act of stunning heroism. A moving novel—with great cinematic potential—that brilliantly captures the historically tense moment of Russia on the verge of freedom, just before the attempted coup and the Party's last gasps.

Pub Date: Sept. 23, 1993

ISBN: 0-316-56789-2

Page Count: 368

Publisher: Little, Brown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 15, 1993

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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