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DRIVING JESUS TO LITTLE ROCK

A winningly thoughtful, metafictional exploration of the modern nature of Christianity.

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A writer embarks on a road trip with a passenger claiming to be Jesus.

This latest novel from Merullo works from the same template as his beloved 2007 hit, Breakfast With Buddha. An author named Eddie Valpolicella (a stand-in for Merullo) picks up a hitchhiker in the spring of 2018 who’s seeking a ride to Arkansas. Eddie is headed that way as the guest of a Protestant church wanting him to give a book talk. His hitchhiker immediately tells him that he is traveling there in order to attend a talk by his favorite author, Eddie Valpolicella. Eddie instantly suspects a prank (or worse), but the man, who introduces himself as “Jesus the Christ,” convinces the author to give their shared company a try for just one day. Still, the whole project seems doomed. Eddie finds himself annoyed by the man he names “So-Called Jesus” and dumps him fairly early on—only to be reunited with the hitchhiker right away and reconciled to a long drive together. Prompted by the success of Eddie’s earlier works, the author’s agent has already urged him to do a book about meeting Jesus—but not the stereotypical Sunday school figure. “We need a new Jesus these days,” she tells Eddie. “Make him real.” This turns out to be easy for Eddie, who notices right away that So-Called Jesus isn’t always saintly. “He can’t be Jesus,” Eddie thinks, “because the real Jesus would never be so obnoxious.” What follows is a buddy/road-trip narrative that would have had Merullo burned in a public square during the first 1,900 years of Christianity.

So-Called Jesus agrees with Eddie’s agent. He wants the author to write a book about a different kind of Jesus, a work that will fill what he refers to as “the Gap” between the Gospels and the present day. Merullo is a long-standing, practiced hand at crafting narratives that are both hugely readable and genuinely thought-provoking, and the story of the growing relationship between his stand-in and So-Called Jesus makes for deeply captivating reading. The passenger consistently displays supernatural knowledge and abilities. But for a long time, Eddie is reluctant to, as he puts it, “surrender my logic and sense of normalcy” in order to accept that the hitchhiker is the real Jesus. Most of the narrative is mercifully free of the typical straw-man apologetics in favor of the “validity” of Christianity (although one of the most famous, that “even Einstein pointed to the meticulous design of everything…as evidence of some kind of Divine Intelligence,” is trotted out on cue). Instead, readers get a refreshingly complex, personal portrait of that promised “new Jesus”—wry, funny, knowing, and infinitely patient. This Jesus is less enigmatic and gnomish than Merullo’s Buddha—he’s far more of a pragmatic, working folks’ Messiah, a version very touchingly on display when the two travelers share a meal with a poor family in a West Virginia hollow. Even non-Christians will find this road trip intriguing.

A winningly thoughtful, metafictional exploration of the modern nature of Christianity.

Pub Date: Aug. 13, 2021

ISBN: 978-1-73672-028-8

Page Count: 280

Publisher: PFP Publishing

Review Posted Online: Aug. 20, 2021

Kirkus Reviews Issue: Oct. 1, 2021

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BURY OUR BONES IN THE MIDNIGHT SOIL

A beautiful meditation on queer identity against a supernatural backdrop.

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Three women deal very differently with vampirism in Schwab’s era-spanning follow-up to The Invisible Life of Addie LaRue (2020).

In 16th-century Spain, Maria seduces a wealthy viscount in an attempt to seize whatever control she can over her own life. It turns out that being a wife—even a wealthy one—is just another cage, but then a mysterious widow offers Maria a surprising escape route. In the 19th century, Charlotte is sent from her home in the English countryside to live with an aunt in London when she’s found trying to kiss her best friend. She’s despondent at the idea of marrying a man, but another mysterious widow—who has a secret connection to Maria’s widow from centuries earlier—appears and teaches Charlotte that she can be free to love whomever she chooses, if she’s brave enough. In 2019, Alice’s memories of growing up in Scotland with her mercurial older sister, Catty, pull her mind away from her first days at Harvard University. And though she doesn’t meet any mysterious widows, Alice wakes up alone after a one-night stand unable to tolerate sunlight, sporting two new fangs, and desperate to drink blood. Horrified at her transformation, she searches Boston for her hookup, who was the last person she remembers seeing before she woke up as a vampire. Schwab delicately intertwines the three storylines, which are compelling individually even before the reader knows how they will connect. Maria, Charlotte, and Alice are queer women searching for love, recognition, and wholeness, growing fangs and defying mortality in a world that would deny them their very existence. Alice’s flashbacks to Catty are particularly moving, and subtly play off themes of grief and loneliness laid out in the historical timelines.

A beautiful meditation on queer identity against a supernatural backdrop.

Pub Date: June 10, 2025

ISBN: 9781250320520

Page Count: 544

Publisher: Tor

Review Posted Online: March 22, 2025

Kirkus Reviews Issue: April 15, 2025

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THE WEDDING PEOPLE

Uneven but fitfully amusing.

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Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.

Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.

Uneven but fitfully amusing.

Pub Date: July 30, 2024

ISBN: 9781250899576

Page Count: 384

Publisher: Henry Holt

Review Posted Online: Sept. 13, 2024

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