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THE DELIGHT OF BEING ORDINARY

A ROAD TRIP WITH THE POPE AND THE DALAI LAMA

Lucid, unpretentious fiction spotlighting the drama of trying to make the divine part of our everyday lives.

Another genre-defying installment in Merullo’s engaging series of seriocomic religious novels (Dinner with Buddha, 2015, etc.).

As the subtitle signals, the leaders of two world religions are our guides on this “road trip,” reluctantly accompanied by Pope Francis’ cousin and First Assistant Paolo. He has plenty of enemies in the Vatican bureaucracy and is not anxious to give them more ammunition by facilitating his cousin’s desire for “an unofficial vacation” with the visiting Dalai Lama. This requires the help of Paolo’s estranged wife, Rosa, conveniently the proprietor of a chain of haircutting and makeup salons; she not only crafts their disguises, but voices feminist, secularist doubts about Catholicism and Buddhism while driving a borrowed Maserati with a hair-raising recklessness that alarms her cautious spouse almost more than her challenges to organized religion. Drawing on his apprenticeship as a thriller writer (A Russian Requiem, 1993), Merullo leavens the spiritual questioning with a sharp portrait of emotional and sexual tensions between Paolo and Rosa, plus escalating suspense after news reports cast the disappearance as a kidnapping and Paolo as the perpetrator. The quartet heads toward Lake Como, pausing along the way for biblically-tinged encounters with a shepherd, a prostitute, and a world-weary old movie star wondering why wealth and sex haven’t made him happy. Admirers of previous volumes will recognize Merullo’s knack for depicting goodness without treacle in his deft portraits of the pope and the Dalai Lama, and a La Dolce Vita–esque party scene spotlights his ability to discern humanity in the most decadent circumstances. There is a bit too much plot and too few moments of the transcendent serenity that formed the most beautiful passages in The Vatican Waltz (2013) and the Buddha trilogy. Nonetheless, it’s both moving and unnerving when key characters from those earlier novels reappear at a climactic encounter forecast by the holy men’s dreams to suggest that there may be spiritual hope for our battered world.

Lucid, unpretentious fiction spotlighting the drama of trying to make the divine part of our everyday lives.

Pub Date: April 11, 2017

ISBN: 978-0-385-54091-9

Page Count: 384

Publisher: Doubleday

Review Posted Online: Dec. 26, 2016

Kirkus Reviews Issue: Jan. 15, 2017

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NORMAL PEOPLE

Absolutely enthralling. Read it.

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A young Irish couple gets together, splits up, gets together, splits up—sorry, can't tell you how it ends!

Irish writer Rooney has made a trans-Atlantic splash since publishing her first novel, Conversations With Friends, in 2017. Her second has already won the Costa Novel Award, among other honors, since it was published in Ireland and Britain last year. In outline it's a simple story, but Rooney tells it with bravura intelligence, wit, and delicacy. Connell Waldron and Marianne Sheridan are classmates in the small Irish town of Carricklea, where his mother works for her family as a cleaner. It's 2011, after the financial crisis, which hovers around the edges of the book like a ghost. Connell is popular in school, good at soccer, and nice; Marianne is strange and friendless. They're the smartest kids in their class, and they forge an intimacy when Connell picks his mother up from Marianne's house. Soon they're having sex, but Connell doesn't want anyone to know and Marianne doesn't mind; either she really doesn't care, or it's all she thinks she deserves. Or both. Though one time when she's forced into a social situation with some of their classmates, she briefly fantasizes about what would happen if she revealed their connection: "How much terrifying and bewildering status would accrue to her in this one moment, how destabilising it would be, how destructive." When they both move to Dublin for Trinity College, their positions are swapped: Marianne now seems electric and in-demand while Connell feels adrift in this unfamiliar environment. Rooney's genius lies in her ability to track her characters' subtle shifts in power, both within themselves and in relation to each other, and the ways they do and don't know each other; they both feel most like themselves when they're together, but they still have disastrous failures of communication. "Sorry about last night," Marianne says to Connell in February 2012. Then Rooney elaborates: "She tries to pronounce this in a way that communicates several things: apology, painful embarrassment, some additional pained embarrassment that serves to ironise and dilute the painful kind, a sense that she knows she will be forgiven or is already, a desire not to 'make a big deal.' " Then: "Forget about it, he says." Rooney precisely articulates everything that's going on below the surface; there's humor and insight here as well as the pleasure of getting to know two prickly, complicated people as they try to figure out who they are and who they want to become.

Absolutely enthralling. Read it.

Pub Date: April 16, 2019

ISBN: 978-1-984-82217-8

Page Count: 288

Publisher: Hogarth

Review Posted Online: Feb. 17, 2019

Kirkus Reviews Issue: March 1, 2019

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THE BLUEST EYE

"This soil," concludes the young narrator of this quiet chronicle of garrotted innocence, "is bad for all kinds of flowers. Certain seeds it will not nurture, certain fruit it will not bear." And among the exclusions of white rural Ohio, echoed by black respectability, is ugly, black, loveless, twelve-year-old Pecola. But in a world where blue-eyed gifts are clucked over and admired, and the Pecolas are simply not seen, there is always the possibility of the dream and wish—for blue eyes. Born of a mother who adjusted her life to the clarity and serenity of white households and "acquired virtues that were easy to maintain" and a father, Cholly, stunted by early rejections and humiliations, Pecola just might have been loved—for in raping his daughter Cholly did at least touch her. But "Love is never better than the lover," and with the death of her baby, the child herself, accepting absolutely the gift of blue eyes from a faith healer (whose perverse interest in little girls does not preclude understanding), inches over into madness. A skillful understated tribute to the fall of a sparrow for whose small tragedy there was no watching eye.

Pub Date: Oct. 29, 1970

ISBN: 0375411550

Page Count: -

Publisher: Holt Rinehart & Winston

Review Posted Online: Sept. 30, 2011

Kirkus Reviews Issue: Oct. 1, 1970

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