A fresh, moving portrait of religion as it could and should be. The cliffhanging finale offers hope that we will see more of...
A young Massachusetts woman is prompted to share her messages from God with the Catholic Church hierarchy in Merullo’s warmhearted addition to his series of unusual religious novels (American Savior, 2008, etc.).
Cynthia Piantedosi attends nursing school and lives quietly with her taciturn, widowed father in Revere, Mass.; the constricted yet nurturing working-class milieu she describes in the novel’s early chapters will be familiar to readers of In Revere, in Those Days (2002). Since she was a child, Cynthia has had “spells,” visions carrying her away from the everyday world. “You are being asked by God to do something,” says Father Alberto, the unconventional priest who becomes her mentor. After his death in a traffic accident, Cynthia grows to believe that God is calling her to be a priest. She’s aware, as the unsympathetic local Monsignor tells her, that this is against church teachings, but Cynthia is impelled by the increasing force of her visions (beautifully depicted by Merullo as experiences of the world’s divine harmony and unity) to press her case all the way to the Vatican in Rome. There, she is accosted at her hotel and then followed on the street by a mysterious man who may have been sent by forces within the Vatican hostile to the changes Cynthia believes are necessary to keep the Catholic Church as a living spiritual force in people’s lives. These thriller elements provide additional narrative energy as Cynthia goes from Rome to Genoa to meet with a reform-minded cardinal, and the denouement is decidedly dramatic. But the real drama here is in the heroine’s relationship with God—and secular-minded readers who think such matters don’t interest them will think again if they give half a chance to Merullo’s loving portrait of a quiet, unassuming woman impelled by faith into deeper engagement with sorrowful, suffering humanity.
A fresh, moving portrait of religion as it could and should be. The cliffhanging finale offers hope that we will see more of Cynthia’s odyssey in future books.Pub Date: Dec. 3, 2013
ISBN: 978-0-307-45295-5
Page Count: 304
Publisher: Crown
Review Posted Online: Nov. 2, 2013
Kirkus Reviews Issue: Nov. 15, 2013
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
These letters from some important executive Down Below, to one of the junior devils here on earth, whose job is to corrupt mortals, are witty and written in a breezy style seldom found in religious literature. The author quotes Luther, who said: "The best way to drive out the devil, if he will not yield to texts of Scripture, is to jeer and flout him, for he cannot bear scorn." This the author does most successfully, for by presenting some of our modern and not-so-modern beliefs as emanating from the devil's headquarters, he succeeds in making his reader feel like an ass for ever having believed in such ideas. This kind of presentation gives the author a tremendous advantage over the reader, however, for the more timid reader may feel a sense of guilt after putting down this book. It is a clever book, and for the clever reader, rather than the too-earnest soul.
Pub Date: Jan. 1, 1942
ISBN: 0060652934
Page Count: 53
Publisher: Macmillan
Review Posted Online: Oct. 17, 2011
Kirkus Reviews Issue: June 15, 1943
The story's very ambiguity steadily feeds its mysteriousness and power, and Danielewski's mastery of postmodernist and...
An amazingly intricate and ambitious first novel - ten years in the making - that puts an engrossing new spin on the traditional haunted-house tale.
Texts within texts, preceded by intriguing introductory material and followed by 150 pages of appendices and related "documents" and photographs, tell the story of a mysterious old house in a Virginia suburb inhabited by esteemed photographer-filmmaker Will Navidson, his companion Karen Green (an ex-fashion model), and their young children Daisy and Chad. The record of their experiences therein is preserved in Will's film The Davidson Record - which is the subject of an unpublished manuscript left behind by a (possibly insane) old man, Frank Zampano - which falls into the possession of Johnny Truant, a drifter who has survived an abusive childhood and the perverse possessiveness of his mad mother (who is institutionalized). As Johnny reads Zampano's manuscript, he adds his own (autobiographical) annotations to the scholarly ones that already adorn and clutter the text (a trick perhaps influenced by David Foster Wallace's Infinite Jest) - and begins experiencing panic attacks and episodes of disorientation that echo with ominous precision the content of Davidson's film (their house's interior proves, "impossibly," to be larger than its exterior; previously unnoticed doors and corridors extend inward inexplicably, and swallow up or traumatize all who dare to "explore" their recesses). Danielewski skillfully manipulates the reader's expectations and fears, employing ingeniously skewed typography, and throwing out hints that the house's apparent malevolence may be related to the history of the Jamestown colony, or to Davidson's Pulitzer Prize-winning photograph of a dying Vietnamese child stalked by a waiting vulture. Or, as "some critics [have suggested,] the house's mutations reflect the psychology of anyone who enters it."
The story's very ambiguity steadily feeds its mysteriousness and power, and Danielewski's mastery of postmodernist and cinema-derived rhetoric up the ante continuously, and stunningly. One of the most impressive excursions into the supernatural in many a year.Pub Date: March 6, 2000
ISBN: 0-375-70376-4
Page Count: 704
Publisher: Pantheon
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 2000
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