A moving chronicle of hope triumphing over despair from the author of The Match (2008, etc.).
An episodic novel—or a set of loosely connected stories—set in Sri Lanka in the aftermath of the 26-year civil war between the insurgent Tamil Tigers and the Sri Lankan army.
The narrator is a van driver, Vasantha, a conceit that cleverly allows the reader to accompany him on his travels through the country, so the structure of the novel becomes an odyssey of sorts. Early on Vasantha comments: “You don’t have to feel trapped. If you are on the move, there is always hope,” and he does in fact retain his humanity and optimism despite the postwar devastation he chronicles. We get to know him through his thoughts and his conversations in the van and at meals, frequently with foreigners visiting the country as it tries to regain a foothold on tourism. One encounter that leads to a rather testy confrontation occurs among Father Perera, his friend Mr. Patrick (an Englishman who’s studying for the priesthood) and a major from the Sri Lankan army who recounts a harrowing episode from the war, one that could be construed as a war crime but which the major simply dismisses as a necessary action. The brutality of the anecdote plays out as they’re all eating a meal that includes the most delicious mangoes in the country. In “Shoot,” Sanji, a photographer who’s been an expat in Italy for many years, returns for a photo shoot at a cricket stadium that had been destroyed by a tsunami in 2004. Other signs of hope abound as, toward the end of his travels, Vasantha recounts streets swept clean of war debris, burned-out buses that have been hauled away and oil barrels removed from army checkpoints, yet many of the scars remain because they’ve been internalized by those traumatized by a generation of war.
A moving chronicle of hope triumphing over despair from the author of The Match (2008, etc.).Pub Date: Sept. 16, 2014
ISBN: 978-1-62097-020-1
Page Count: 176
Publisher: The New Press
Review Posted Online: July 29, 2014
Kirkus Reviews Issue: Aug. 15, 2014
Jonathan Livingston Kitty, it’s not.
A lonely postman learns that he’s about to die—and reflects on life as he bargains with a Hawaiian-shirt–wearing devil.
The 30-year-old first-person narrator in filmmaker/novelist Kawamura’s slim novel is, by his own admission, “boring…a monotone guy,” so unimaginative that, when he learns he has a brain tumor, the bucket list he writes down is dull enough that “even the cat looked disgusted with me.” Luckily—or maybe not—a friendly devil, dubbed Aloha, pops onto the scene, and he’s willing to make a deal: an extra day of life in exchange for being allowed to remove something pleasant from the world. The first thing excised is phones, which goes well enough. (The narrator is pleasantly surprised to find that “people seemed to have no problem finding something to fill up their free time.”) But deals with the devil do have a way of getting complicated. This leads to shallow musings (“Sometimes, when you rewatch a film after not having seen it for a long time, it makes a totally different impression on you than it did the first time you saw it. Of course, the movie hasn’t changed; it’s you who’s changed") written in prose so awkward, it’s possibly satire (“Tears dripped down onto the letter like warm, salty drops of rain”). Even the postman’s beloved cat, who gains the power of speech, ends up being prim and annoying. The narrator ponders feelings about a lost love, his late mother, and his estranged father in a way that some readers might find moving at times. But for many, whatever made this book a bestseller in Japan is going to be lost in translation.
Jonathan Livingston Kitty, it’s not.Pub Date: March 12, 2019
ISBN: 978-1-250-29405-0
Page Count: 176
Publisher: Flatiron Books
Review Posted Online: Feb. 16, 2019
Kirkus Reviews Issue: March 1, 2019
The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.
Pub Date: Sept. 16, 1992
ISBN: 1400031702
Page Count: 592
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1992
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BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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