A distractingly uneven compendium of 12 stories from the generally unpredictable author of two previous collections (The News of the World, 1987; Plan B for the Middle Class, 1992). Carlson's tales are narrated in a flat emotionless voice that's often deliberately at variance with their unusual, not to say outrageous, premises. For example, there's the major-league ballplayer whose line drives have accidentally killed 11 people, and whose personality is drastically altered by his frustrating celebrity status (``Zanduce at Second''). Or the convict whose incarceration stimulates his inventive skills (``A Note on the Type''), or the military leader who debates to himself the pros and cons of dumping boiling oil on invading Visigoths (``What We Wanted to Do''). Several pieces, including ``The House Goes Up,'' simply fail to develop their conceits in fruitful ways. And many are dominated by attention-getting specifics that are at best incidental to the story's main thrust—like the glorious funny- sleazy description of a wrestling show (``Mack's Mat Matches'') in ``Dr. Smile,'' or the amusing account of a seduction in ``Nightcap,'' which doesn't fit very well with the maudlin, underdeveloped story of unrequited love that contains it. Conversely, Carlson reinvents with deadpan panache the hoary old horror chestnut about the escaped maniac who barely misses slaughtering teenaged lovers parking (``The Chromium Hook''). ``Oxygen'' plumbs level after level of emotion and understanding in the richly imagined tale of a college kid whose summer job delivering oxygen to medical patients teaches him more than he wants to know about sex, death, and the baffling permutations of simple human need. And ``The Prisoner of Bluestone'' portrays with deeply moving simplicity the confusion and passion of an autoworker desperate for communication with the wife and daughter who he feels have moved beyond him. An overall disappointment, but those last two terrific stories make it clear that we'd better keep reading Carlson. (First serial to Esquire)
Pub Date: May 1, 1997
ISBN: 0-393-04068-2
Page Count: 256
Publisher: Norton
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 1997
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
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