An intriguing but uneven tale of environmental activists.
In this novel, a teenager joins the fight to save the Chesapeake Bay from pollution.
Recent high school graduate Donna Burgess gets a position helping a nonprofit to—among other things—prove that a large corporation is polluting Chesapeake Bay. At first, it’s just a summer job, but the pollution is having an impact on her neighborhood. After the group collects water samples, the Chesapeake Bay Coalition’s boat nearly capsizes, either because of age or an act of tampering. “We almost drowned out there,” Donna tells a cohort. This is a recurring theme in the tale—no one is sure if the coalition’s resources are just old or if someone is sabotaging them. Donna gets a crash course in the ups and downs of nonprofit work; she is told she’s the special guestat a fundraiser and dresses up for the event only to discover that she’s actually going to be a server. She also attends important meetings in the hopes of preventing the Glendale Corporation from polluting the bay. But at every step of the way, she and her colleagues encounter Glendale employees willing to pay them to go away. Each time this happens, Donna digs in her heels, willing to fight for her neighborhood instead of letting the coalition compromise. This creates a rift between Donna and others in the coalition who want to accept Glendale’s donation of land for a wildlife refuge even if it won’t stop the corporation from polluting the bay. Donna’s conviction hardens when she learns that many of her neighbors, and possibly her own mother, have been diagnosed with cancer. While Chandler’s book is compact at 212 pages, there are plenty of captivating tangents and subplots and rich environmental details. The protagonist copes with a wide array of intense emotions. There are the teenage hijinks and feelings of angst Donna experiences—normal for a recent high school graduate—and her deep passion for her work with the coalition. But a few of the minor threads—including Donna’s crush on her sister’s boyfriend—distract from the main plot. As a result, Donna is both a dreamy teenager and an uptight scold at times. And even with a positive message, the tone of the story is often cynical, which some readers may find off-putting.
An intriguing but uneven tale of environmental activists.Pub Date: Feb. 21, 2022
ISBN: 979-8420934593
Page Count: 212
Publisher: Self
Review Posted Online: April 28, 2022
Review Program: Kirkus Indie
BOOK REVIEW
Uneven but fitfully amusing.
Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.
Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.
Uneven but fitfully amusing.Pub Date: July 30, 2024
ISBN: 9781250899576
Page Count: 384
Publisher: Henry Holt
Review Posted Online: Sept. 13, 2024
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.
A falsely accused Black man goes into hiding in this masterful novella by Wright (1908-1960), finally published in full.
Written in 1941 and '42, between Wright’s classics Native Son and Black Boy, this short novel concerns Fred Daniels, a modest laborer who’s arrested by police officers and bullied into signing a false confession that he killed the residents of a house near where he was working. In a brief unsupervised moment, he escapes through a manhole and goes into hiding in a sewer. A series of allegorical, surrealistic set pieces ensues as Fred explores the nether reaches of a church, a real estate firm, and a jewelry store. Each stop is an opportunity for Wright to explore themes of hope, greed, and exploitation; the real estate firm, Wright notes, “collected hundreds of thousands of dollars in rent from poor colored folks.” But Fred’s deepening existential crisis and growing distance from society keep the scenes from feeling like potted commentaries. As he wallpapers his underground warren with cash, mocking and invalidating the currency, he registers a surrealistic but engrossing protest against divisive social norms. The novel, rejected by Wright’s publisher, has only appeared as a substantially truncated short story until now, without the opening setup and with a different ending. Wright's take on racial injustice seems to have unsettled his publisher: A note reveals that an editor found reading about Fred’s treatment by the police “unbearable.” That may explain why Wright, in an essay included here, says its focus on race is “rather muted,” emphasizing broader existential themes. Regardless, as an afterword by Wright’s grandson Malcolm attests, the story now serves as an allegory both of Wright (he moved to France, an “exile beyond the reach of Jim Crow and American bigotry”) and American life. Today, it resonates deeply as a story about race and the struggle to envision a different, better world.
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.Pub Date: April 20, 2021
ISBN: 978-1-59853-676-8
Page Count: 240
Publisher: Library of America
Review Posted Online: March 16, 2021
Kirkus Reviews Issue: April 1, 2021
BOOK TO SCREEN
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