by Ron Gabriel ‧ RELEASE DATE: N/A
An ambitious and moody, if occasionally puzzling, supernatural thriller.
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A fantasy tale about the political squabbles of a group of witches.
Travis belongs to a long line of esteemed witches in an ancient coven in Bucharest, Romania. The coven has kept itself secret for centuries, relying on ritual killings, disguised as accidents, to sustain itself. Travis’ parents, Monica and Victor, are interested in a more advanced magic that feeds off mortal fear and the reanimation of dead people, which they believe would relieve the coven of the need to kill; they begin to experiment with it even though the council of witches forbids it. As a result, the council kills Monica and Victor, leaving Travis an orphan. Hard-line council members, dedicated to the old ways, see him as a threat and attempt to kill him, too, but he escapes and meets up with fellow orphan and excommunicated witch Sorinah Patrascu in Bratislava. Under her tutelage, Travis hones his skills. Over a century later, he moves to the sleepy American town of Sussex, Vermont, to put his parents’ magic to the test. Specifically, he plans to wreak havoc on the town in order to draw enough power to seek revenge against the witch council. His plan becomes complicated when he becomes romantically involved with Paula, his mortal neighbor, and gets to know her children and their friends. Meanwhile, a scheming council member has learned of Travis’ plans and will do anything to stop him. Gabriel, over the course of his debut novel, offers a story that’s truly action-packed. However, its frequent time-jumps, which have a cinematic feel, can be disorienting. Within the first 20 pages of the novel, for example, readers are taken from Travis’ 15th birthday to his parents’ young adulthood in the 1870s to Travis’ birth and then to his 12th birthday. That said, the author still manages to set up a fast-paced, complex tale of good and evil featuring a protagonist who has morally unconventional motivations. The story’s conclusion, though, is a bit too rushed to be fully satisfying—particularly after all the heady groundwork that precedes it.
An ambitious and moody, if occasionally puzzling, supernatural thriller.Pub Date: N/A
ISBN: N/A
Page Count: 347
Publisher: N/A
Review Posted Online: Sept. 28, 2019
Review Program: Kirkus Indie
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by Ron Gabriel
by Max Brooks ‧ RELEASE DATE: June 16, 2020
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
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New York Times Bestseller
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
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BOOK TO SCREEN
by Alex Michaelides ‧ RELEASE DATE: Feb. 5, 2019
Amateurish, with a twist savvy readers will see coming from a mile away.
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New York Times Bestseller
IndieBound Bestseller
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
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