At not quite 14, Graham reaches a crisis with his overbearing father. Summering at Mariposa, where the horses Dad trains are often winners, Graham is increasingly aware that Dad insists on using him as a sounding board yet has no tolerance for his son's opinions. Meanwhile, best old friend Leslie persists in confiding the details of her romance with a ``sensitive, vulnerable'' guitarist and asking Graham's advice—oblivious to his own vigorous attraction to her. Responding to all this with a mixture of sweetness and clumsy early-adolescent rancor, Graham surfs (inexpertly) to forget his troubles; does his patient best for Leslie; stands up to his father with regard to a two-year-old whose owner is eager to race her (prematurely, Dad fears), and even follows the filly to her new trainer—then feels guilty about the frightening depth of his anger towards his father. Like the protagonist of The Boy in the Moon (1990), likable Graham gets some of his better qualities, including honest self- appraisal and scintillating wit, from his mother; Koertge's characters have an individuality from which their interaction springs with wonderful inevitability. A well-crafted, wholly believable picture of a boy in transition, with a satisfying resolution involving recognitions and adaptations from both father and son—hilariously counterpointed with the first appearance of that boyfriend of Leslie's, who (to Leslie's dismay) has been transformed from Scarlatti fan to rock freak. (Fiction. 12-16)
Pub Date: May 1, 1991
ISBN: 0-316-50103-4
Page Count: 171
Publisher: Little, Brown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1991
The wish-fulfilling title and sun-washed, catalog-beautiful teens on the cover will be enticing for girls looking for a...
Han’s leisurely paced, somewhat somber narrative revisits several beach-house summers in flashback through the eyes of now 15-year-old Isabel, known to all as Belly.
Belly measures her growing self by these summers and by her lifelong relationship with the older boys, her brother and her mother’s best friend’s two sons. Belly’s dawning awareness of her sexuality and that of the boys is a strong theme, as is the sense of summer as a separate and reflective time and place: Readers get glimpses of kisses on the beach, her best friend’s flirtations during one summer’s visit, a first date. In the background the two mothers renew their friendship each year, and Lauren, Belly’s mother, provides support for her friend—if not, unfortunately, for the children—in Susannah’s losing battle with breast cancer. Besides the mostly off-stage issue of a parent’s severe illness there’s not much here to challenge most readers—driving, beer-drinking, divorce, a moment of surprise at the mothers smoking medicinal pot together.
The wish-fulfilling title and sun-washed, catalog-beautiful teens on the cover will be enticing for girls looking for a diversion. (Fiction. 12-14)Pub Date: May 5, 2009
ISBN: 978-1-4169-6823-8
Page Count: 288
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 2009
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
Certain to provoke controversy and difficult to see as a book for children, who could easily miss the painful point.
After Hitler appoints Bruno’s father commandant of Auschwitz, Bruno (nine) is unhappy with his new surroundings compared to the luxury of his home in Berlin.
The literal-minded Bruno, with amazingly little political and social awareness, never gains comprehension of the prisoners (all in “striped pajamas”) or the malignant nature of the death camp. He overcomes loneliness and isolation only when he discovers another boy, Shmuel, on the other side of the camp’s fence. For months, the two meet, becoming secret best friends even though they can never play together. Although Bruno’s family corrects him, he childishly calls the camp “Out-With” and the Fuhrer “Fury.” As a literary device, it could be said to be credibly rooted in Bruno’s consistent, guileless characterization, though it’s difficult to believe in reality. The tragic story’s point of view is unique: the corrosive effect of brutality on Nazi family life as seen through the eyes of a naïf. Some will believe that the fable form, in which the illogical may serve the objective of moral instruction, succeeds in Boyne’s narrative; others will believe it was the wrong choice.
Certain to provoke controversy and difficult to see as a book for children, who could easily miss the painful point. (Fiction. 12-14)Pub Date: Sept. 12, 2006
ISBN: 0-385-75106-0
Page Count: 224
Publisher: David Fickling/Random
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 2006
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
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