A dreary tale of woe, with none of the dark places illuminated. (N.B.: Stephen King has done more than blurb the book. A...
The pain of the loser permeates actor/playwright McLarty’s first novel, part road story, part tragedy. It was released as an audiobook in 2000.
Vital statistics: Smithson Ide is 43, but he’s also 279 pounds, having survived for 20 years on beer and pretzels. He once weighed 121, running or biking everywhere. But now (it’s 1990) he’s a couch potato, single, living in a small Rhode Island town, working in a toy factory. As the story opens, his parents are killed in a car accident. They’d been a close-knit family, and he hates it that he’s drunk at the wake, drunk at the funeral. Then he learns that his older sister Bethany is in a Los Angeles morgue, and the shock impels Smithy to heave his fat self onto his childhood bike. His aimless start turns into a cross-country ride, and chapters alternate between his adventures on the road and Bethany’s sad history. Somewhere in her teens, she slipped into madness, posing stock-still for hours on end, or raking her skin, or speaking in a vile croak as if possessed by an alien spirit. Sometimes she’d just disappear. There were shrinks and hospital stays, and she recovered enough to date and marry, only to disappear for good on the honeymoon. Smithy has his own problems. He hates to touch or be touched. His only sex has been with ten-dollar whores in Vietnam, where he was badly wounded. Nam and Bethany were too much for him, and the beanpole became a porker filled with self-loathing. The long ride west is good for him, despite bizarre and improbable encounters (a dying AIDS patient, a gun-toting black man). Smithy stops drinking, loses 50 pounds, and is sustained by long-distance conversations with Norma, a wheelchair-bound former neighbor, every bit as lonely as Smithy. The two lost souls will come together in the Los Angeles morgue.
A dreary tale of woe, with none of the dark places illuminated. (N.B.: Stephen King has done more than blurb the book. A year ago, after he heard the audio version, he wrote a wildly enthusiastic piece for Entertainment Weekly. Immediately, there was a feeding-frenzy auction, huge advance, etc., etc.)Pub Date: Jan. 3, 2005
ISBN: 0-670-03363-4
Page Count: 360
Publisher: Viking
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 2004
BOOK REVIEW
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
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