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IN THE VALLEY

A brace of strong stories, and the novella's a fine, suspenseful contribution to the thriving genre of Appalachian mayhem.

Rash's latest is a collection of 10 stories anchored by a novella featuring the ruthless Serena Pemberton of his best-known novel, Serena (2008), as she returns to the U.S. and resumes her reign of terror. Though Serena has received the lion's share of attention, the short story has always been Rash's best genre. Several pieces collected here—mostly set in western North Carolina from the Civil War to the present—center on revenge that wants to see itself as righteous. Rash is expert at revealing the sword of vengeance's double edge—how honed it is, how it cuts whomever wields it. In the excellent "Flight," for example, Stacy, a wounded, justice-minded young park ranger, determines that she'll have the better of a local who keeps tauntingly poaching trout. Another standout is "The Belt," about an octogenarian Civil War veteran and his talisman, the lucky brass buckle that saved him in battle. His family has struggled mightily—that buckle's luck has never seemed transferable—but old Jubal hopes the luck might extend, in one last moment of crisis, to his namesake grandson, a toddler. Perhaps best of all is "L'homme Blessé," about a recently widowed art teacher summoned to a deep-country cabin where an old man, psychologically wrecked after World War II, lived out his days sheltered by his own art—a near-perfect re-creation of the drawings inside a French cave the shattered soldier had visited. But the title novella makes for the centerpiece. Unrepentant lumber queen Serena has returned home, where she needs to accomplish the impossible: clear-cut a last mountaintop forest in just days. To do so—with the help of her conscienceless enforcer, Galloway, and his terrifying, spooky mother—she must bribe, cajole, intimidate, murder, perhaps even bend the rules of time, but there's little Serena can't do. Sure, now and again Rash tries to channel Cormac McCarthy and fails; a couple stories seem slight; and so on. But those are quibbles, not disfiguring flaws. A brace of strong stories, and the novella's a fine, suspenseful contribution to the thriving genre of Appalachian mayhem.

Pub Date: Aug. 4, 2020

ISBN: 978-0-385-54429-0

Page Count: 240

Publisher: Doubleday

Review Posted Online: May 17, 2020

Kirkus Reviews Issue: June 1, 2020

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THE WEDDING PEOPLE

Uneven but fitfully amusing.

Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.

Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.

Uneven but fitfully amusing.

Pub Date: July 30, 2024

ISBN: 9781250899576

Page Count: 384

Publisher: Henry Holt

Review Posted Online: Sept. 13, 2024

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IF CATS DISAPPEARED FROM THE WORLD

Jonathan Livingston Kitty, it’s not.

A lonely postman learns that he’s about to die—and reflects on life as he bargains with a Hawaiian-shirt–wearing devil.

The 30-year-old first-person narrator in filmmaker/novelist Kawamura’s slim novel is, by his own admission, “boring…a monotone guy,” so unimaginative that, when he learns he has a brain tumor, the bucket list he writes down is dull enough that “even the cat looked disgusted with me.” Luckily—or maybe not—a friendly devil, dubbed Aloha, pops onto the scene, and he’s willing to make a deal: an extra day of life in exchange for being allowed to remove something pleasant from the world. The first thing excised is phones, which goes well enough. (The narrator is pleasantly surprised to find that “people seemed to have no problem finding something to fill up their free time.”) But deals with the devil do have a way of getting complicated. This leads to shallow musings (“Sometimes, when you rewatch a film after not having seen it for a long time, it makes a totally different impression on you than it did the first time you saw it. Of course, the movie hasn’t changed; it’s you who’s changed") written in prose so awkward, it’s possibly satire (“Tears dripped down onto the letter like warm, salty drops of rain”). Even the postman’s beloved cat, who gains the power of speech, ends up being prim and annoying. The narrator ponders feelings about a lost love, his late mother, and his estranged father in a way that some readers might find moving at times. But for many, whatever made this book a bestseller in Japan is going to be lost in translation.

Jonathan Livingston Kitty, it’s not.

Pub Date: March 12, 2019

ISBN: 978-1-250-29405-0

Page Count: 176

Publisher: Flatiron Books

Review Posted Online: Feb. 16, 2019

Kirkus Reviews Issue: March 1, 2019

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