Skip this, and stick with Karen Beaumont and Jackie Urbanovic’s No Sleep for the Sheep (2005) for a story with a catchy...
Rauss, winner of the 2010 Cheerios® New Author Contest, reveals the travails of poor Aiden McDoodle as he searches for a quiet spot to get some sleep.
He tries upstairs, downstairs, the backyard and even the town park. But each place is too noisy: “In the library the whispers built up to a riot, / until the librarian stepped in and shouted out, ‘QUIET!’ ” When the noises of the baseball game, ice-cream truck, maintenance worker and the band practicing in the gazebo finally become too much, Aiden snaps. His plea for quiet is heard from sea to sea and into space. The world obligingly pauses long enough for him to run home, jump into bed and begin to snore before the noises resume. The lengthy lines of Rauss’ rhyming verse add to its sometimes-stumbling rhythm, and readers never find out just why Aiden is so tired, a fact that detracts from the humor, especially given his seemingly younger sister’s unflagging energy level. Shepperson’s watercolor-and-ink artwork add to this disconnect, as they depict a quite ordinary day—the noise level looks to be nothing extraordinary. But readers will certainly feel for the tired tyke, whose facial expressions say it all as he desperately tries to find some rest amid everyone else’s exuberance.
Skip this, and stick with Karen Beaumont and Jackie Urbanovic’s No Sleep for the Sheep (2005) for a story with a catchy rhythm that will really have listeners chiming in. (Picture book. 3-7)Pub Date: June 5, 2012
ISBN: 978-1-4424-3497-4
Page Count: 32
Publisher: Paula Wiseman/Simon & Schuster
Review Posted Online: April 3, 2012
Kirkus Reviews Issue: May 1, 2012
As ephemeral as a valentine.
Daywalt and Jeffers’ wandering crayons explore love.
Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.
As ephemeral as a valentine. (Picture book. 4-6)Pub Date: Dec. 24, 2019
ISBN: 978-1-5247-9268-8
Page Count: 32
Publisher: Penguin Workshop
Review Posted Online: Feb. 1, 2021
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BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
BOOK REVIEW
BOOK REVIEW
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