A literary beach read that will keep you thinking after the vacation’s over.
A chain of islands in the middle of the Pacific provides the backdrop for Tanner’s (From Animal House to Our House: A Love Story, 2012, etc.) comic exploration of expatriate life and its consequences.
In the 1950s, the U.S. used the Marshall Islands as a test site for nuclear bombs. Fifty years later, the Americans in Tanner’s breezy tale are more self-destructive than anything, though their imprint on the island nation is hardly a net positive. For better or worse, they stick mostly to American-dominated Kwajalein, which “looks like a 1950s cinderblock beach town gone to seed” and houses the U.S. personnel who study missile defense at the nearby Ronald Reagan Test Site. Among the employees there is Cooper, who sails all the way from California for his new job but manages to lose a leg in the process. Alison, the art teacher at the Kwajalein high school, isn’t much better off: she’s coping with her husband’s recent drowning, mostly by drinking her way through lunch. Then there’s Art, a bedraggled former Peace Corps volunteer who married a native and now serves as “Cultural Liaison” to the expat community, explaining Marshallese customs while lobbing rhetorical grenades at American culture from afar. Meanwhile, the only Marshallese protagonist, Jeton, pines for his American girlfriend, Nora, who's preparing to return to the U.S. for college. Marshallese are banned from Kwajalein after nightfall, and Jeton’s attempt to see Nora before she goes proves a crucial turning point in the plot. The themes here are major—global warming, imperialism, America’s role in the world (the story is set soon after the Abu Ghraib prison scandal). But Tanner displays a light touch, favoring snappy dialogue over didacticism. The result is winning, though for some the novel may feel just a touch too lighthearted: at various points characters confront everything from alcoholism to catastrophic weather to sharks, but one gets the sense early on that, for the four major players, all will (mostly) work out in the end.
A literary beach read that will keep you thinking after the vacation’s over.Pub Date: March 15, 2016
ISBN: 978-1-63246-009-7
Page Count: 372
Publisher: Ig Publishing
Review Posted Online: Jan. 20, 2016
Kirkus Reviews Issue: Feb. 1, 2016
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
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