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THE FOREVER YEAR

A lackluster entry in the men-who-write-mush category, which Nicholas Sparks (see below) still has pretty much to himself.

Can love last forever? Is forever longer than this interminable first novel?

After his wife dies, Mickey Sienna rattles around in his suburban New Jersey colonial. Physically frail but mentally sharp, the former stockbroker still trades online, but when he escapes an accidental kitchen fire, his grown kids put in their two cents. Maybe dear old dad should be parked in an assisted-living facility where he can’t hurt himself. Or at least sell the house and buy a smaller place. Yes, says Mickey, but what about the memories? Get out your handkerchiefs, because here come more than 50 years of marriage to saintly but dull Dorothy. They had some swell kids, too: Darlene, Matty, Denise, and a surprise fourth baby, Jesse, who’s 20 years younger than Darlene and trying to figure out why he gets along better with his nieces and nephews than with his siblings. (Hint: he’s amazingly immature.) This strapping toddler is now 32 and only just beginning to realize that the world does not revolve around him. But why? He thinks and thinks. “I was too young for one group and too old for the other. I was a man without a generation.” Jesse is a sensitive soul who’s wary of making a commitment but tired of playing the field, what with all that emotional scar tissue on his metaphorical heart. Yes, Jesse is a thoroughly modern Millie for the millennium, a man with genuine issues, who’s not afraid to talk about his feelings at great length, as if a talk-show audience were hanging on every word. A multitude of supporting characters give their opinions and add a few details about what happened when. Then there’s one last gasp from Dad, who explains about his long-lost love; he still loves her and she still loves ice cream. The message? Gather ye rosebuds, of course.

A lackluster entry in the men-who-write-mush category, which Nicholas Sparks (see below) still has pretty much to himself.

Pub Date: May 19, 2003

ISBN: 0-765-30405-8

Page Count: 320

Publisher: Forge

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 1, 2003

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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