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ROCK ME ON THE WATER by Ronald Brownstein Kirkus Star

ROCK ME ON THE WATER

1974—The Year Los Angeles Transformed Movies, Music, Television, and Politics

by Ronald Brownstein

Pub Date: March 23rd, 2021
ISBN: 978-0-06-289921-7
Publisher: Harper/HarperCollins

Atlantic senior editor Brownstein recounts the annus mirabilis that produced some of the most memorable songs, films, and TV shows in pop-culture history.

In a book that neatly brackets William McKeen’s Everybody Had an Ocean (2017), Brownstein conjures up the Los Angeles of 1974. It was a time of endless possibility, marked by countless highlights: Chinatown, Linda Ronstadt’s album Heart Like a Wheel, the completion of the first draft of the screenplay that would give birth to the Star Wars franchise, and the political rise of former seminarian Jerry Brown. In TV, Norman Lear had cornered the market on socially conscious, sometimes controversial comedy, as when the lead character of Maude got pregnant at age 47 and got an abortion. “Though the city was not yet the liberal political bastion it would grow into,” writes the author, “Los Angeles emerged as the capital of cultural opposition to Nixon.” Some of this opposition was seemingly innocent: The Mary Tyler Moore Show was funny, but it advanced the thesis that women could work, live single lives, and be happy while Jackson Browne proved himself a pioneer of painful self-introspection. But that innocence is illusory. As Brownstein writes, 1974 also saw a tidal wave of cocaine wash over LA, the favorite party appetizer of the film set, the music crowd, and celebrities alike. Brownstein also takes in a wide swath of the world outside LA, from the denouement of the Patty Hearst kidnapping to the emergence of Tom Hayden and Jane Fonda as a political power couple. There’s some nice dish, too, as when Carroll O’Connor demanded artistic control of All in the Family because the Jewish writers wouldn’t understand the mind of a working-class Christian; and shrewd cultural analysis, as when Brownstein chronicles the transition by Browne and his contemporaries “from celebrating the freedom that revolution unlocked to tabulating its cost in impermanence and instability.”

An endlessly engaging cultural history that will resonate with anyone alive in 1974.