A bleak look at a bitter life that may be too much for readers to bear.
In 1945, a widowed Mexican immigrant faces powerfully difficult conditions in Ruiz’s (A Lawyer, 2012, etc.) latest novel.
With four children to feed and a recently deceased husband, migrant worker Jesusita González struggles to earn a living as a picker following California’s crops. Her children do their best but often exasperate their mother—particularly Paulina, the most frequent recipient of her wrath. Jesusita’s world changes significantly, however, when she’s convinced to attend a pilgrimage to a holy shrine of the Virgen de Guadalupe. There, she has a profoundly religious experience that deepens her faith. She befriends her local priest and becomes active in the church community. Unfortunately, though, she still experiences anger and rage. Poor Paulina is still her primary target, and the beatings are severe; Jesusita simply keeps Paulina out of school until the cuts and bruises fade. One day, Jesusita succumbs to her anger once again—and this time, she goes way too far. After struggling with her daughter on a riverbank, the girl gets swept away by the current. Did Jesusita push her? Was Paulina possessed by the devil? Did Jesusita want her to die? Jesusita struggles with these difficult questions, as well as those of the police and her neighbors, and her efforts take a disastrous toll on her family, on her body, and on her mind. Ruiz vividly displays his knowledge of the harsh conditions experienced by Mexican immigrants. However, his characters are just as harsh, and as a protagonist, Jesusita is about as unsympathetic as they come: she rarely expresses affection for her children, instead seeing them as just a burden to be borne. She feels no remorse for her beatings of Paulina, believing that they “weren’t sins.” But in this novel, things are hard for everyone. One subplot, for example, follows a woman who was being paid for sexual favors at 6 years old. Another tells of a mentally challenged boy who isn’t allowed inside the house of his adoptive family. The misery in this novel is abundant and acute, and as a result, many readers may agree with one character who remarks, “I’ve heard enough about Jesusita and her kids.”
A bleak look at a bitter life that may be too much for readers to bear.Pub Date: May 14, 2015
ISBN: 978-1-937484-33-0
Page Count: 249
Publisher: Amika Press
Review Posted Online: Aug. 5, 2015
Review Program: Kirkus Indie
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
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