A highly recommended novel that appeals to both the heart and the head.
To be fleeing cops and bad guys is scary enough, but imagine, as novelist Ruiz (Giuseppe Rocco, 2017, etc.) does, that you’re also schizophrenic—and on the run, as it were, from yourself.
The author tells his tale through the eyes and mind of Ray Lopez (aka Jimmy Ramirez), a poor kid from California’s Central Valley. Ray is a good kid who gets drawn into the schemes of his shady cousin, ex-con Billy Cisneros, which involve shepherding bags of cash. On top of that, Ray has recently had his first psychotic episode. The drug Zyprexa keeps him stabilized and keeps the voices at bay, but paranoid Ray feels that he has to get out of town, as he’s convinced that Billy’s associates or the cops are hot on his trail. He flees with a duffel bag of clothes and a gym bag full of C-notes. He makes it to Los Angeles and is advised by a fellow bus passenger that Mexico might mean safety—but he must go to Nuevo Laredo, not Tijuana or Juarez. So he boards a Greyhound bus (which he calls “ridin’ the Dog”); it’s a miserable trek, as Ruiz makes clear, for people who cannot afford to travel any other way. All the while, Ray is terrified of being found out and has precious few Zyprexa pills left. In Laredo, he warily makes friends with a street-wise kid named Joey Reyes, who offers to get him into Mexico to get his prescription filled. Ruiz is a strikingly good writer, and his chapter detailing Ray’s “break”—and the terrifying, evil voices in his head—is a sojourn in hell; readers will understand why Ray is in a panic to get his prescription refilled and why the voices terrify him. Obstacles multiply endlessly, and the descriptions of Ray’s long days and nights on the bus, and of the dreary and dehumanizing bus terminals, will likely make many readers deeply grateful for their better circumstances. Ruiz proves to be a very sharp social critic, and no detail gets past him in this richly imagined book.
A highly recommended novel that appeals to both the heart and the head.Pub Date: June 17, 2017
ISBN: 978-1-937484-53-8
Page Count: 276
Publisher: Amika Press
Review Posted Online: Aug. 2, 2017
Kirkus Reviews Issue: Oct. 1, 2017
Review Program: Kirkus Indie
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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