A sensitive and well-plotted re-creation of perhaps the most scientifically and culturally significant era in French history.
An adventure tale featuring medicine, madness, and art in Meek’s historical novel set in 19th-century France.
Young Sabrine Weiss is talented, beautiful, innocent, and deeply disturbed. She’s also subject to what seem to be epileptic fits. When the novel opens, her fiercely protective older sister, Julie, has liberated her from the Salpêtrière, the most famous teaching asylum in Europe, hoping that the wider and more stimulating world of the Paris art scene will prove therapeutic. Julie is an editor and translator with ties to the vibrant Impressionist community, and all the expected scenesters are here: Cezanne, Degas, Pissarro, Monet and Manet, Gauguin, and Vincent van Gogh and his fiercely protective brother, Theo. Vincent, of course, is also deeply disturbed, famously slicing off his ear and committing suicide at 37. (Sabrine and Vincent eventually become soul mates.) Julie has many talents, among them hypnosis, by which she can probe a person’s distant past; she also can coax their dreams from them, which is her friend Sigmund Freud’s cue to enter the story. Will Sabrine be cured of her epilepsy, and her traumatic secret unearthed? This epic battle of science versus faith is one of the novel’s recurring themes, while medical advances and discoveries also take center stage. Freud’s alienist theories were just beginning to be warily respected. He had been the mentee of the famous Dr. Charcot, director the Salpêtrière, but they eventually parted ways. Julie sums it up by insisting (rightly) that the cause of her sister’s disturbed mind is not physiological (per Charcot) but psychological (per Freud). Meek notes changes in the three challenging decades that ushered in modern science and modern sensibilities. He’s a competent writer and keeps the plot moving. He revels in detailed scenes like the artists’ wild parties; and, in the denouement, readers get a sympathetic portrait of “Father” Pissarro, getting on in years but still delighting in the service of art. It’s a wonderfully upbeat note to end on.
A sensitive and well-plotted re-creation of perhaps the most scientifically and culturally significant era in French history.Pub Date: April 30, 2024
ISBN: 9781962465342
Page Count: 654
Publisher: Historium Press
Review Posted Online: July 12, 2024
Kirkus Reviews Issue: Sept. 15, 2024
Review Program: Kirkus Indie
BOOK REVIEW
Uneven but fitfully amusing.
Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.
Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.
Uneven but fitfully amusing.Pub Date: July 30, 2024
ISBN: 9781250899576
Page Count: 384
Publisher: Henry Holt
Review Posted Online: Sept. 13, 2024
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
I Who Have Never Known Men ($22.00; May 1997; 224 pp.; 1-888363-43-6): In this futuristic fantasy (which is immediately reminiscent of Margaret Atwood's The Handmaid's Tale), the nameless narrator passes from her adolescent captivity among women who are kept in underground cages following some unspecified global catastrophe, to a life as, apparently, the last woman on earth. The material is stretched thin, but Harpman's eye for detail and command of tone (effectively translated from the French original) give powerful credibility to her portrayal of a human tabula rasa gradually acquiring a fragmentary comprehension of the phenomena of life and loving, and a moving plangency to her muted cri de coeur (``I am the sterile offspring of a race about which I know nothing, not even whether it has become extinct'').
Pub Date: May 1, 1997
ISBN: 1-888363-43-6
Page Count: 224
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1997
BOOK REVIEW
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