by Ronald Wright ‧ RELEASE DATE: April 1, 2005
Illuminating and disturbing, and expansively documented.
A provocative assembling of evidence from history, archaeology and anthropology that what we call civilization may carry the seeds of its own destruction.
Already a bestseller in his native Canada, essayist Wright is now making his biggest mark since his debut novel (A Scientific Romance, 1997) attracted wide attention. The “progress” in the present title is purely ironic: These case studies—of ancient Sumer, the Maya in Central America, Rome, Greece and others—aim to show man as a parasitic species that constantly violates its own first rule of survival: “Don’t kill off your host.” In setting the scene, the author, perhaps most controversially, asserts that Stone Age hunters regularly drove their prey into extinction. As he tracks major transitions in the two linked “experiments” of agriculture and civilization that coincided with the opening of a favorable climate window in Neolithic times, Wright is logical and penetrating: The former wheat fields of Mesopotamia’s fertile crescent are now salt pans and flood plains in Iraq, and some 200,000 Roman farmers were on federal subsistence by the time the Gothic horde reached Rome in the fourth century. On Easter Island, somebody cut down the last tree standing to make rollers in order to situate a freshly carved monolith. And if Earth’s climate is better today than it’s ever been, Wright postulates, what happens if it reverts (as it has before, taking only decades) to its norm of extreme shifts? “As we domesticated the plants, they domesticated us. Without us, they die; without them, so do we.” The author declares outright that farmland the size of Scotland, much of it in Asia, is lost every year. Terrorist suicide bombers are nothing new, he asserts, citing Joseph Conrad’s The Secret Agent, written a century ago, and they’re a small threat compared to hunger, disease or climate change. Attacking terrorism’s causes rather than its symptoms, he believes, might also save civilization from itself.
Illuminating and disturbing, and expansively documented.Pub Date: April 1, 2005
ISBN: 0-7867-1547-2
Page Count: 224
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 2005
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by David Grann ‧ RELEASE DATE: April 18, 2017
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
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Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorker staff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
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BOOK TO SCREEN
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BOOK TO SCREEN
by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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by Howard Zinn ; adapted by Rebecca Stefoff with by Ed Morales
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by Howard Zinn with Ray Suarez
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by Howard Zinn
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