An intimate, intuitive, emotionally vivid family account that finds hope in reconciliation.
A woman recalls her childhood after her mother left the family to become a follower of a controversial Indian guru in this debut memoir.
Plank was 6 years old when her mother decided to attend guru Bhagwan Shree Rajneesh’s now infamous ashram in Pune, India. In 1978, the author and her younger sister, Nava, were reunited with their estranged father at Newark Airport before their mother boarded a plane for the subcontinent. The book skips back in time to recount how Plank’s Jewish parents met while training to work on a kibbutz. The author was born in Israel and spent her early years on the kibbutz before her parents returned to the United States, where they struggled to adapt to the “maelstrom of tasks” in their new lives. Following her parents’ divorce, Plank’s mother yearned for freedom and headed for India, leaving her children to be raised by their father in Newark and, later, Queens. After returning to America, the author’s mother left the family again to attend Bhagwan’s Oregon ashram. Recounting her journey to reconciliation, Plank discusses her sense of abandonment and attempts to comprehend her mother’s decisions. Interest in Bhagwan has been reignited in recent years due to Netflix’s Wild Wild Country. Fans of the documentary series will glean little insider knowledge in these pages about what happened in Bhagwan’s ashrams, although in the final chapter, Plank recalls confronting her reticent mother with the statement: “But you know some people call him the Sex Guru.” Instead, this memoir focuses on how the shock waves of parental decisions resonate outward to impact families. The author expertly explains complex emotions, such as a sense of resilience when recognizing she was being pitied: “It felt like pity, like she saw something serious and sad about me and the way I was growing up. I didn’t have room to hold onto those kinds of feelings; I couldn’t afford them.” Plank is also fiercely straight-talking; when pondering the implausibility of Bhagwan’s rhetoric, she remarks: “I have to wonder where my mother’s bullshit detector had gone.” The result is a frank, sharply written memoir that explores childhood anguish—although it may not be the exposé that some readers may have hoped for.
An intimate, intuitive, emotionally vivid family account that finds hope in reconciliation.Pub Date: May 11, 2021
ISBN: 978-1-94-506026-7
Page Count: 230
Publisher: Motina Books
Review Posted Online: July 13, 2021
Kirkus Reviews Issue: Sept. 1, 2021
Review Program: Kirkus Indie
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.
A former New York City dancer reflects on her zesty heyday in the 1970s.
Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.Pub Date: July 12, 2022
ISBN: 978-1-250-27827-2
Page Count: 192
Publisher: St. Martin's
Review Posted Online: July 27, 2022
A juicy story with some truly crazy moments, yet Anderson's good heart shines through.
The iconic model tells the story of her eventful life.
According to the acknowledgments, this memoir started as "a fifty-page poem and then grew into hundreds of pages of…more poetry." Readers will be glad that Anderson eventually turned to writing prose, since the well-told anecdotes and memorable character sketches are what make it a page-turner. The poetry (more accurately described as italicized notes-to-self with line breaks) remains strewn liberally through the pages, often summarizing the takeaway or the emotional impact of the events described: "I was / and still am / an exceptionally / easy target. / And, / I'm proud of that." This way of expressing herself is part of who she is, formed partly by her passion for Anaïs Nin and other writers; she is a serious maven of literature and the arts. The narrative gets off to a good start with Anderson’s nostalgic memories of her childhood in coastal Vancouver, raised by very young, very wild, and not very competent parents. Here and throughout the book, the author displays a remarkable lack of anger. She has faced abuse and mistreatment of many kinds over the decades, but she touches on the most appalling passages lightly—though not so lightly you don't feel the torment of the media attention on the events leading up to her divorce from Tommy Lee. Her trip to the pages of Playboy, which involved an escape from a violent fiance and sneaking across the border, is one of many jaw-dropping stories. In one interesting passage, Julian Assange's mother counsels Anderson to desexualize her image in order to be taken more seriously as an activist. She decided that “it was too late to turn back now”—that sexy is an inalienable part of who she is. Throughout her account of this kooky, messed-up, enviable, and often thrilling life, her humility (her sons "are true miracles, considering the gene pool") never fails her.
A juicy story with some truly crazy moments, yet Anderson's good heart shines through.Pub Date: Jan. 31, 2023
ISBN: 9780063226562
Page Count: 256
Publisher: Dey Street/HarperCollins
Review Posted Online: Dec. 5, 2022
Kirkus Reviews Issue: Jan. 1, 2023
SEEN & HEARD
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
