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THE MARLOWE PAPERS

Lush, inspired and provocative, this spellbinding dossier conjures up a bewitching Marlowe.

What if Kit Marlowe wasn’t really killed in a tavern brawl? What if he escaped and became the secret scribe of Shakespeare’s plays and sonnets?

Ros Barber (Material, 2008, etc.) cunningly uses her own poetic skills to craft this startling chronicle of Marlowe’s life in verse—mostly blank verse. Winner of the 2011 Hoffman Prize, this debut novel adds a rich new voice to the conversation about Christopher Marlowe’s life and work, including the possibility that some or all of Shakespeare’s works belong instead to Marlowe. Barber’s Marlowe is a smart, witty, struggling, bisexual playwright. Through his friendship with Tom Watson, he is drawn into service, becoming an intelligencer, a spy for the queen. The dangers of espionage vie with the jealousies of the other playwrights, and Marlowe must deftly avoid not only detection, but also giving offense. Although Marlowe learns that the most dangerous secrets are hidden in plain sight, he resists seeing that his own professed atheism may be more hazardous than the queen’s secrets or his own talents. To save his life, his death must be faked. Worse, he must erase his own name from history, giving his plays and sonnets to a dull man named Shakespeare. With the force of fate, his dual lives as deceiver and dramatist entwine to deprive him of true self and true story. At points, the poetry gets in the way of the story, becoming cumbersome rather than nimble. Yet, telling the tale in verse is a clever choice, and Barber’s poetry is often rich with imagery, evoking the beauty of Marlowe’s own artistry as well as the mysterious, often ominous, world of shadowy political machinations. A spy’s code, the poetry allows Marlowe to tell his true story, reclaiming his own name. 

Lush, inspired and provocative, this spellbinding dossier conjures up a bewitching Marlowe.

Pub Date: Jan. 29, 2013

ISBN: 978-1-250-01717-8

Page Count: 480

Publisher: St. Martin's

Review Posted Online: Sept. 26, 2012

Kirkus Reviews Issue: Oct. 15, 2012

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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IF CATS DISAPPEARED FROM THE WORLD

Jonathan Livingston Kitty, it’s not.

A lonely postman learns that he’s about to die—and reflects on life as he bargains with a Hawaiian-shirt–wearing devil.

The 30-year-old first-person narrator in filmmaker/novelist Kawamura’s slim novel is, by his own admission, “boring…a monotone guy,” so unimaginative that, when he learns he has a brain tumor, the bucket list he writes down is dull enough that “even the cat looked disgusted with me.” Luckily—or maybe not—a friendly devil, dubbed Aloha, pops onto the scene, and he’s willing to make a deal: an extra day of life in exchange for being allowed to remove something pleasant from the world. The first thing excised is phones, which goes well enough. (The narrator is pleasantly surprised to find that “people seemed to have no problem finding something to fill up their free time.”) But deals with the devil do have a way of getting complicated. This leads to shallow musings (“Sometimes, when you rewatch a film after not having seen it for a long time, it makes a totally different impression on you than it did the first time you saw it. Of course, the movie hasn’t changed; it’s you who’s changed") written in prose so awkward, it’s possibly satire (“Tears dripped down onto the letter like warm, salty drops of rain”). Even the postman’s beloved cat, who gains the power of speech, ends up being prim and annoying. The narrator ponders feelings about a lost love, his late mother, and his estranged father in a way that some readers might find moving at times. But for many, whatever made this book a bestseller in Japan is going to be lost in translation.

Jonathan Livingston Kitty, it’s not.

Pub Date: March 12, 2019

ISBN: 978-1-250-29405-0

Page Count: 176

Publisher: Flatiron Books

Review Posted Online: Feb. 16, 2019

Kirkus Reviews Issue: March 1, 2019

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