The images of Africa, its people as well as its places, are transfixing, but the grand passion and other pale human...
A lushly atmospheric, seductive tale out of Africa, Shand's debut features an American academic, his frustrated wife, and the tall handsome stranger who enters their midst, befriends them both, and awakens her heart.
Agnes is at sixes and sevens in her roles as a young mother, academic's wife, part-time teacher, and American in Uganda in the 1960s. She lives, seemingly, for the sensual distraction that men in her life, other than husband John, can provide. There was a frisson between her and her African servant, Odinga, until he left abruptly to look for his wife, and when she first set eyes on Wulf, a Polish linguist, something sparked between them too. In the time it took her to learn who Wulf was and vice versa, however, he had become good friends with John. That and the fact that he'd left his wife and child behind the Iron Curtain in Poland make the initial contacts between Agnes and Wulf awkward, yet the heat of their shared passion soon melts all barriers, allowing them to find bliss in each other's arms. When John, caught out of the country as civil war breaks out in Uganda, can’t return, Wulf moves in with Agnes and family to protect them. Although solemn Odinga, now back, disapproves of the new arrangement, Agnes silences him with a touch. The borders reopen, John comes home, and the affair continues; only a letter from Poland can take Wulf away, and when it does, he's unable to return to Agnes. The whole sorry truth soon comes out, with both John and Agnes publicly humiliated before they decide to follow the white exodus out of Idi Amin's new Uganda.
The images of Africa, its people as well as its places, are transfixing, but the grand passion and other pale human endeavors depicted here seem tawdry and all too familiar beside them.Pub Date: May 1, 2000
ISBN: 1-56947-192-4
Page Count: 256
Publisher: Soho
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 2000
Jonathan Livingston Kitty, it’s not.
A lonely postman learns that he’s about to die—and reflects on life as he bargains with a Hawaiian-shirt–wearing devil.
The 30-year-old first-person narrator in filmmaker/novelist Kawamura’s slim novel is, by his own admission, “boring…a monotone guy,” so unimaginative that, when he learns he has a brain tumor, the bucket list he writes down is dull enough that “even the cat looked disgusted with me.” Luckily—or maybe not—a friendly devil, dubbed Aloha, pops onto the scene, and he’s willing to make a deal: an extra day of life in exchange for being allowed to remove something pleasant from the world. The first thing excised is phones, which goes well enough. (The narrator is pleasantly surprised to find that “people seemed to have no problem finding something to fill up their free time.”) But deals with the devil do have a way of getting complicated. This leads to shallow musings (“Sometimes, when you rewatch a film after not having seen it for a long time, it makes a totally different impression on you than it did the first time you saw it. Of course, the movie hasn’t changed; it’s you who’s changed") written in prose so awkward, it’s possibly satire (“Tears dripped down onto the letter like warm, salty drops of rain”). Even the postman’s beloved cat, who gains the power of speech, ends up being prim and annoying. The narrator ponders feelings about a lost love, his late mother, and his estranged father in a way that some readers might find moving at times. But for many, whatever made this book a bestseller in Japan is going to be lost in translation.
Jonathan Livingston Kitty, it’s not.Pub Date: March 12, 2019
ISBN: 978-1-250-29405-0
Page Count: 176
Publisher: Flatiron Books
Review Posted Online: Feb. 16, 2019
Kirkus Reviews Issue: March 1, 2019
The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.
Pub Date: Sept. 16, 1992
ISBN: 1400031702
Page Count: 592
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1992
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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