An immersive encounter with a beloved character.
A former CIA agent–turned–private detective is forced to go undercover after her girlfriend is forcibly institutionalized.
The third installment in the series opens in 1971 with Vera Kelly adjusting to domestic bliss after Max, her bartender girlfriend, moves in with her in Brooklyn. Formerly a bit of a loner, Vera suddenly has a community. When Max gets a letter from her sister saying their parents are splitting up, she feels compelled to return to Los Angeles for the first time since she came out and her wealthy family refused to accept her sexuality, and she asks Vera to join her. When they arrive in Bel Air, a host of new characters greet them: Max’s stern father now has a much-younger fiancee, and there’s also a friend who lives on the property and has grand plans for spending the family fortune. When Vera wakes up one morning after Max had a fight with her father to find Max gone from the property, she panics, and then a message comes with the worst possible news: Max is in a hospital, which turns out to be a private sanatorium owned by her family. Vera goes undercover, admitting herself as a patient in hopes of rescuing Max, and she’s reminded of her own time in juvenile detention and her strained relationship with her mother. Knecht’s lively prose moves easily between Vera’s experiences with Max’s cold and homophobic family to her memories of being a teenager with a distant and unforgiving mother, effectively creating an atmosphere of danger and uncertainty as Vera and Max work to survive and reunite. Knecht has crafted an intriguing title character, and it's a pleasure to watch Vera allow herself to be devoted to a partner and to trust in the life they have built together.
An immersive encounter with a beloved character.Pub Date: June 21, 2022
ISBN: 9781953534163
Page Count: 228
Publisher: Tin House
Review Posted Online: March 29, 2022
Kirkus Reviews Issue: April 15, 2022
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.
Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.
A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.Pub Date: March 17, 2020
ISBN: 978-1-9821-3888-2
Page Count: 352
Publisher: Scribner
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
A top-class cozy infused with dry wit and charming characters who draw you in and leave you wanting more, please.
Four residents of Coopers Chase, a British retirement village, compete with the police to solve a murder in this debut novel.
The Thursday Murder Club started out with a group of septuagenarians working on old murder cases culled from the files of club founder Elizabeth Best’s friend Penny Gray, a former police officer who's now comatose in the village's nursing home. Elizabeth used to have an unspecified job, possibly as a spy, that has left her with a large network of helpful sources. Joyce Meadowcroft is a former nurse who chronicles their deeds. Psychiatrist Ibrahim Arif and well-known political firebrand Ron Ritchie complete the group. They charm Police Constable Donna De Freitas, who, visiting to give a talk on safety at Coopers Chase, finds the residents sharp as tacks. Built with drug money on the grounds of a convent, Coopers Chase is a high-end development conceived by loathsome Ian Ventham and maintained by dangerous crook Tony Curran, who’s about to be fired and replaced with wary but willing Bogdan Jankowski. Ventham has big plans for the future—as soon as he’s removed the nuns' bodies from the cemetery. When Curran is murdered, DCI Chris Hudson gets the case, but Elizabeth uses her influence to get the ambitious De Freitas included, giving the Thursday Club a police source. What follows is a fascinating primer in detection as British TV personality Osman allows the members to use their diverse skills to solve a series of interconnected crimes.
A top-class cozy infused with dry wit and charming characters who draw you in and leave you wanting more, please.Pub Date: Sept. 22, 2020
ISBN: 978-1-98-488096-3
Page Count: 368
Publisher: Pamela Dorman/Viking
Review Posted Online: June 30, 2020
Kirkus Reviews Issue: July 15, 2020
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