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GRANDMA’S BEACH

Sometimes creative and inventive grandparents can provide the best solutions for the disappointments a child may encounter. In Grandma’s Beach, Grandma creates the fun of a beach atmosphere in her backyard when Emily’s mom is unexpectedly called to the office at the start of their summer outing. And in Grandpa’s Surprise (1-58234-934-7), Grandpa shows Stanley how to make a special go-kart from an old wooden crate and stroller wheels after young neighbor Jack refuses to share his shiny new tricycle. The very spare texts are fleshed out by full-bleed, oversized paintings in bright primary colors that nicely express both Emily’s and Stanley’s unspoken thoughts and feelings. A subtle and positively uplifting duo that will easily help any child through those inevitable crestfallen moments in life. (Picture book. 3-5)

Pub Date: April 1, 2004

ISBN: 1-58234-935-5

Page Count: 32

Publisher: Bloomsbury

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 1, 2004

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YOUR BABY'S FIRST WORD WILL BE DADA

Plotless and pointless, the book clearly exists only because its celebrity author wrote it.

A succession of animal dads do their best to teach their young to say “Dada” in this picture-book vehicle for Fallon.

A grumpy bull says, “DADA!”; his calf moos back. A sad-looking ram insists, “DADA!”; his lamb baas back. A duck, a bee, a dog, a rabbit, a cat, a mouse, a donkey, a pig, a frog, a rooster, and a horse all fail similarly, spread by spread. A final two-spread sequence finds all of the animals arrayed across the pages, dads on the verso and children on the recto. All the text prior to this point has been either iterations of “Dada” or animal sounds in dialogue bubbles; here, narrative text states, “Now everybody get in line, let’s say it together one more time….” Upon the turn of the page, the animal dads gaze round-eyed as their young across the gutter all cry, “DADA!” (except the duckling, who says, “quack”). Ordóñez's illustrations have a bland, digital look, compositions hardly varying with the characters, although the pastel-colored backgrounds change. The punch line fails from a design standpoint, as the sudden, single-bubble chorus of “DADA” appears to be emanating from background features rather than the baby animals’ mouths (only some of which, on close inspection, appear to be open). It also fails to be funny.

Plotless and pointless, the book clearly exists only because its celebrity author wrote it. (Picture book. 3-5)

Pub Date: June 9, 2015

ISBN: 978-1-250-00934-0

Page Count: 32

Publisher: Feiwel & Friends

Review Posted Online: April 14, 2015

Kirkus Reviews Issue: May 1, 2015

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LOLA LOVES STORIES

From the Lola & Leo series

Lola’s daddy takes her to the library every Saturday, where she finds “excellent books,” and every night her mommy or daddy reads them to her. The next day Lola acts out the story. On Sunday she’s a fairy princess; on Monday she takes her toy animals “on fantastic trips to places like Paris”; on Wednesday she’s a tiger, etc. Each new book and day provides Lola with a variety of tales to play out, with the last one—which is about a wild monster—posing the question, “What will Lola be tomorrow?” The final page shows her in a wolf suit just like Max’s. The library books, the pretending and the incorporation of the days of the week work together as a simple and pleasing premise. Beardshaw’s acrylic illustrations depict the multicultural kids and Lola’s black family with childlike charm, while the title will have librarians, parents and booksellers smiling. Alert: The book will be an invitation for lap kids to follow Lola’s lead—not such a bad thing. (Picture book. 3-5)

Pub Date: July 1, 2010

ISBN: 978-1-58089-258-2

Page Count: 28

Publisher: Charlesbridge

Review Posted Online: June 3, 2010

Kirkus Reviews Issue: June 1, 2010

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