A simple but welcome addition to a small, but growing, number of books depicting Southeast Asian Muslims.
A story of mother and daughter, their day-to-day life in a small Malaysian village, and the love they have for each other.
“Little Aleeya and her dear mommy—Mommy sayang,” spend their days in their kampung (small village), making everyday tasks fun together. Whether it is during prayer (when her mother wears a telekung), doing chores, or spending time with family and friends, Aleeya and Mommy are always side by side. Even in Aleeya’s dreams they spend time together, eating curry puffs in the shade of red hibiscus flowers. But when Mommy gets sick, the little girl must comfort herself and try to think of a way to make Mommy feel better. This autobiographical picture book, a debut from Pixar artist Sullivan, celebrates the vibrancy of life in a small Malaysian village. The all-Malaysian cast evinces differences in skin tone and facial features; Aleeya’s mother and aunties wear tudung/hijab, with long tops and pants, skirts, sarongs, and abayas, while two men wear the traditional kopiah, a truncated cone cap. Aleeya has curly black hair and wears a sleeveless red romper. In one poignant scene she clutches her mother’s sarong and weeps; her joy in another, at seeing her mother recovering in bed, in a T-shirt and with hair uncovered, is palpable. Since Mommy’s illness is never specified, this is a gentle vehicle to introduce many kinds of parent-child separations.
A simple but welcome addition to a small, but growing, number of books depicting Southeast Asian Muslims. (Picture book. 3-6)Pub Date: April 2, 2019
ISBN: 978-1-368-01590-5
Page Count: 48
Publisher: Disney Press
Review Posted Online: March 16, 2019
Kirkus Reviews Issue: April 1, 2019
Nice enough but not worth repeat reads.
Emma deals with jitters before playing the guitar in the school talent show.
Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)
Nice enough but not worth repeat reads. (Picture book. 4-6)Pub Date: March 29, 2022
ISBN: 978-0-593-35207-6
Page Count: 40
Publisher: Razorbill/Penguin
Review Posted Online: Feb. 8, 2022
Kirkus Reviews Issue: March 1, 2022
BOOK REVIEW
A visually striking, engaging picture book that sends the message that everyone counts.
A playful counting book also acts as a celebration of family and human diversity.
Shannon’s text is delivered in spare, rhythmic, lilting verse that begins with one and counts up to 10 as it presents different groupings of things and people in individual families, always emphasizing the unitary nature of each combination. “One is six. One line of laundry. One butterfly’s legs. One family.” Gomez’s richly colored pictures clarify and expand on all that the text lists: For “six,” a picture showing six members of a multigenerational family of color includes a line of laundry with six items hanging from it outside of their windows, as well as the painting of a six-legged butterfly that a child in the family is creating. While text never directs the art to depict diverse individuals and family constellations, Gomez does just this in her illustrations. Interracial families are included, as are depictions of men with their arms around each other, and a Sikh man wearing a turban. This inclusive spirit supports the text’s culminating assertion that “One is one and everyone. One earth. One world. One family.”
A visually striking, engaging picture book that sends the message that everyone counts. (Picture book. 3-6)Pub Date: May 26, 2015
ISBN: 978-0-374-30003-6
Page Count: 32
Publisher: Frances Foster/Farrar, Straus & Giroux
Review Posted Online: Feb. 2, 2015
Kirkus Reviews Issue: Feb. 15, 2015
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