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COMPOSED

A MEMOIR

An excellent memoir that ends on an encouraging note: “More to come.”

Beautifully written meditations on love, death, family and redemption from the celebrated songwriter.

As the title alludes, this is very much a “portrait of the artist” memoir, in which the author shows not the slightest interest in dishing dirt or settling scores. A country hitmaker who has received considerable critical acclaim, Cash is also a previously published author of the short-story collection Bodies of Water (1996). Yet for some she will always be foremost the daughter of Johnny Cash. Here she leaves no question that the father she knew was quite different than the legend portrayed in the 2005 film, Walk the Line, which she calls “an egregious oversimplification of our family's private pain, writ large and Hollywood-style.” By contrast, intimate vignettes writ small fill this account, which illuminates her close, complicated relationships with both her mother and her father—whom she remembers as “strange, dark, and intensely distracted” when she was the young daughter of a dissolving marriage, yet a pillar of support and inspiration through the majority of her life. The tension at the center of both her career and her memoir is her realization that “I wanted success, certainly, but I wanted it without the merciless exposure of a public life.” Unflinchingly honest and incisive on matters she chooses to address, Cash provides little detail about her marriage to and divorce from country artist Rodney Crowell, whose collaboration with her proved pivotal in the careers of both. A generosity of spirit informs her portraits of friends from decades past, fellow musicians, husband and collaborator John Leventhal and the children who have enriched the life of their mother. Despite the spate of recent deaths she has mourned, and the traumas of brain surgery, miscarriage and a mysterious loss of voice that she recounts in these pages, warmth and humor characterize the resilience of the author's spirit.

An excellent memoir that ends on an encouraging note: “More to come.”

Pub Date: Aug. 10, 2010

ISBN: 978-0-670-02196-3

Page Count: 288

Publisher: Viking

Review Posted Online: June 3, 2010

Kirkus Reviews Issue: May 15, 2010

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THE PURSUIT OF HAPPYNESS

FROM MEAN STREETS TO WALL STREET

Well-told and admonitory.

Young-rags-to-mature-riches memoir by broker and motivational speaker Gardner.

Born and raised in the Milwaukee ghetto, the author pulled himself up from considerable disadvantage. He was fatherless, and his adored mother wasn’t always around; once, as a child, he spied her at a family funeral accompanied by a prison guard. When beautiful, evanescent Moms was there, Chris also had to deal with Freddie “I ain’t your goddamn daddy!” Triplett, one of the meanest stepfathers in recent literature. Chris did “the dozens” with the homies, boosted a bit and in the course of youthful adventure was raped. His heroes were Miles Davis, James Brown and Muhammad Ali. Meanwhile, at the behest of Moms, he developed a fondness for reading. He joined the Navy and became a medic (preparing badass Marines for proctology), and a proficient lab technician. Moving up in San Francisco, married and then divorced, he sold medical supplies. He was recruited as a trainee at Dean Witter just around the time he became a homeless single father. All his belongings in a shopping cart, Gardner sometimes slept with his young son at the office (apparently undiscovered by the night cleaning crew). The two also frequently bedded down in a public restroom. After Gardner’s talents were finally appreciated by the firm of Bear Stearns, his American Dream became real. He got the cool duds, hot car and fine ladies so coveted from afar back in the day. He even had a meeting with Nelson Mandela. Through it all, he remained a prideful parent. His own no-daddy blues are gone now.

Well-told and admonitory.

Pub Date: June 1, 2006

ISBN: 0-06-074486-3

Page Count: 320

Publisher: Amistad/HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 15, 2006

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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