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THE HOUSE ON THE LAGOON

Name: THE HOUSE ON THE LAGOON
Author: Rosario Ferré
ISBN: 0-374-17311-7

by Rosario Ferré ‧ RELEASE DATE: Sept. 1, 1995

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A superlative family saga that examines the concept of freedom in vividly dramatized personal and political terms, by a Puerto Rican novelist (The Youngest Doll, etc., not reviewed) whose smooth mastery of her ambitious materials is reminiscent of Gabriel Garc°a M†rquez at his very best. Wealthy importer Quintin Mendizabal discovers the manuscript of a novel his wife, Isabel Monfort, is writing about the histories of their entwined families. It's a chronicle of material enrichment and sexual exploitation, of familiar unhappiness and ethnic conflictin short, a microcosm of Puerto Rico's uncertain status throughout this century as an American commonwealth teetering uncertainly between the opposed poles of statehood and independence. As Quintin reads, he becomes increasingly disturbed to find, as he views things, that Isabel ``had made up incredible things about his family and left out much of what had really happened.'' He pens notes in the margins, questioning Isabel's conclusions and correcting her factual errors. Incredible events and brilliantly realized characters emerge from both their versionsincluding Quintin's father Buenaventura, a self-made man who may have colluded with the Germans during WW I; his maternal grandfather Aristides, a police chief whose dedication to the cause of statehood obliged him to murder his own people; and the Mendizabals' half-breed servant Petra, a rock indeed who outlasts several of their generations and lives to judge them all. The novel is a seamless web of plot, character, and haunting imagery (the lagoon on which the family's imposing mansion stands is itself dying, of industrial pollution). As the mingled love and hatred that bind Isabel and Quintin together rise to a painful crescendo, a plebiscite on the issue of statehood vs. independence reveals the flaws in the family's substructure, pitting parents against children, and provoking Isabel to take by force the independence she can never otherwise attain. Its triumphant conclusion seals their common fate and fulfills the aims of an overpowering novel that looks, at least on first reading, very like a masterpiece.

Pub Date: Sept. 1, 1995

ISBN: 0-374-17311-7

Page Count: 320

Publisher: Farrar, Straus and Giroux

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 15, 1995

Categories:

GENERAL FICTION

- BOOK REVIEW
FLIGHT OF THE SWAN
by Rosario Ferré

- BOOK REVIEW
ECCENTRIC NEIGHBORHOODS
by Rosario Ferré

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TO KILL A MOCKINGBIRD

by Harper Lee ‧ RELEASE DATE: July 11, 1960

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A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

Categories:

GENERAL FICTION

- BOOK REVIEW
THE LAND OF SWEET FOREVER
by Harper Lee ; edited by Casey Cep

- BOOK REVIEW
GO SET A WATCHMAN
by Harper Lee

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- SEEN & HEARD
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- SEEN & HEARD
NYT Readers Voting on Best Book of Past 125 Years

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LONESOME DOVE

A NOVEL (SIMON & SCHUSTER CLASSICS)

by Larry McMurtry ‧ RELEASE DATE: June 1, 1985

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This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.