Writing simply, like a love letter from parent to child, Lewis tells the true story of how she wrote to officials in China to find out if she could adopt a baby, and then went to China to bring her home. She takes a long journey there by plane, and falls in love with the tiny girl. “I was so happy that I cried the moment I took you in my arms . . . you cried, too.” She shoots a lot of pictures and kisses her “little hands and tiny feet a hundred times.” They fly home to meet all the relatives, and when the last cousin leaves, settle down to a lullaby and sweet sleep. The text ends with tears for the baby’s Chinese mother, who could not keep her; the last illustration is the Chinese character for love. An exotic but very readable type font adds spice to the gentle narrative. The illustrations are done in light-drenched colors, clear and rosy hues that match the bubbling joy of the text. Patterns in the clouds, in a rose-trimmed teacup, in the baby’s clothing and the mother’s robes, echo that dulcet rhythm. Sure to delight many families whose own children may have come to this country, and to their families, by the same means, this is also a lovely way to introduce others to the concept of foreign-born adoption. Destined to become a classic. (Picture book. 4-7)
Pub Date: Sept. 1, 2000
ISBN: 0-316-52538-3
Page Count: 32
Publisher: Little, Brown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 2000
Give this child’s-eye view of a day at the beach with an attentive father high marks for coziness: “When your ball blows across the sand and into the ocean and starts to drift away, your daddy could say, Didn’t I tell you not to play too close to the waves? But he doesn’t. He wades out into the cold water. And he brings your ball back to the beach and plays roll and catch with you.” Alley depicts a moppet and her relaxed-looking dad (to all appearances a single parent) in informally drawn beach and domestic settings: playing together, snuggling up on the sofa and finally hugging each other goodnight. The third-person voice is a bit distancing, but it makes the togetherness less treacly, and Dad’s mix of love and competence is less insulting, to parents and children both, than Douglas Wood’s What Dads Can’t Do (2000), illus by Doug Cushman. (Picture book. 5-7)
Pub Date: May 23, 2005
ISBN: 0-618-00361-4
Page Count: 32
Publisher: Clarion Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 2005
Nice enough but not worth repeat reads.
Emma deals with jitters before playing the guitar in the school talent show.
Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)
Nice enough but not worth repeat reads. (Picture book. 4-6)Pub Date: March 29, 2022
ISBN: 978-0-593-35207-6
Page Count: 40
Publisher: Razorbill/Penguin
Review Posted Online: Feb. 8, 2022
Kirkus Reviews Issue: March 1, 2022
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