Tremain's latest starts slowly but gathers emotional speed and literary power: an entrancing, highly satisfying read.
English author Tremain (Restoration, 1990, etc.) returns triumphantly to the 20th century, sketching the outwardly stunted postwar lives of a dozen small-town characters in rural Suffolk- -people whose inner lives, however, are surprising, colorful, sometimes tragic, and drive many of them to a bittersweet, affecting end.
At age six in 1952, Mary Ward—observing a minute of silence for the dead King George IV while standing in a potato field belonging to her brutish father, Sonny, and her dreamy mother, Estelle—suddenly becomes aware that she wishes she were a boy; over the next 30 years, fighting with her hapless brother Timmy, strapping her growing breasts against her chest, falling in love with a neighbor girl named Pearl, running away to her grandfather Cord's house in the wonderful town of Gresham Tears, changing her name to Martin, moving to London, submitting to psychoanalysis, and finally having a sex-change operation and emigrating to Nashville, heroic Mary makes this pressing wish come true. Estelle, lost in a vague dream of her own that eventually leads her to a mental hospital, and Sonny, who becomes a sloppy, suicidal drunk, don't fare as well. But Timmy—who wants to be a pastor rather than a farmer—does; he marries Mary's girlhood love-object Pearl. Eventually, the local homosexual dentist Gilbert, who longs for a swinging life; Walter, Gilbert's first lover, a butcher's son who wants to become a Nashville country music star; and Walker's mother Grace, who buys Sonny Ward's farm after Sonny has killed himself and who grows rich raising chickens—all these and others will get what they secretly need. So, finally, ironically, does even the dead tyrant Sonny—who gets a son to work the land, even though the son is Mary and the land she's working is in Tennessee.
Pub Date: April 1, 1993
ISBN: 0-689-12170-9
Page Count: 320
Publisher: Atheneum
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 1993
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
An unusual and mesmerizing novel, gracefully written and deeply disturbing.
In her first novel to be published in English, South Korean writer Han divides a story about strange obsessions and metamorphosis into three parts, each with a distinct voice.
Yeong-hye and her husband drift through calm, unexceptional lives devoid of passion or anything that might disrupt their domestic routine until the day that Yeong-hye takes every piece of meat from the refrigerator, throws it away, and announces that she's become a vegetarian. Her decision is sudden and rigid, inexplicable to her family and a society where unconventional choices elicit distaste and concern that borders on fear. Yeong-hye tries to explain that she had a dream, a horrifying nightmare of bloody, intimate violence, and that's why she won't eat meat, but her husband and family remain perplexed and disturbed. As Yeong-hye sinks further into both nightmares and the conviction that she must transform herself into a different kind of being, her condition alters the lives of three members of her family—her husband, brother-in-law, and sister—forcing them to confront unsettling desires and the alarming possibility that even with the closest familiarity, people remain strangers. Each of these relatives claims a section of the novel, and each section is strikingly written, equally absorbing whether lush or emotionally bleak. The book insists on a reader’s attention, with an almost hypnotically serene atmosphere interrupted by surreal images and frighteningly recognizable moments of ordinary despair. Han writes convincingly of the disruptive power of longing and the choice to either embrace or deny it, using details that are nearly fantastical in their strangeness to cut to the heart of the very human experience of discovering that one is no longer content with life as it is.
An unusual and mesmerizing novel, gracefully written and deeply disturbing.Pub Date: Feb. 2, 2016
ISBN: 978-0-553-44818-4
Page Count: 192
Publisher: Hogarth
Review Posted Online: Oct. 19, 2015
Kirkus Reviews Issue: Nov. 1, 2015
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