A chillingly drawn, expertly researched slice of grim Boston history.
A lively, evocative reinvigoration of Boston’s Gilded Age and the psychopathic young stalker who threatened public safety.
Previously fascinated by the literary constructs of Mary Shelley, Montillo (The Lady and Her Monsters, 2013, etc.) explores a dark period in 19th-century Boston when a notorious serial torturer attacked young boys. At the center of the author’s historical tapestry is Jesse Pomeroy, whose relentlessly abusive childhood may have inspired the many beating and torturing rages against youth in the Boston area in the 1870s when he was 14 years old. He became known as both the “Red Devil” and one of America’s youngest serial killers. With cinematic narration, Montillo retraces Pomeroy’s sadistic crime spree involving the vicious persecution of boys along the Chelsea, Massachusetts, waterfront and, later, in South Boston, after his mother relocated the family. Once his conviction and sentencing to reform school was completed, however, Pomeroy was released into his mother’s custody only to resume his crimes with murderous intensity. The author shares these bloody details with grisly accuracy through the deft interpretation of journals, newspaper articles, books and Pomeroy’s own autobiography. Though this morbid decade in Boston’s history could stand on its own, Montillo effectively incorporates divergent narrative threads profiling the lives of novelist Herman Melville and Oliver Wendell Holmes. Melville was fascinated by Pomeroy’s crimes and enlisted Holmes to explore the nature of madness and the psychological unraveling of Pomeroy who, in 1875, as the area still recovered from the Great Boston Fire, was handed a death sentence by hanging (after much official deliberation, the sentence was commuted to life imprisonment). Montillo creatively revives this tarnished New England era with the meticulous focus of a seasoned archivist and the graphic descriptive powers of a historical novelist.
A chillingly drawn, expertly researched slice of grim Boston history.Pub Date: March 17, 2015
ISBN: 978-0-06-227347-5
Page Count: 336
Publisher: Morrow/HarperCollins
Review Posted Online: Jan. 6, 2015
Kirkus Reviews Issue: Jan. 15, 2015
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorker staff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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