Bland, static and usually suspended against monochromatic backgrounds, Choi’s uncrowded street scenes depict a four-season walk through a generic (though, to judge from the title, probably American) “gai see”—Cantonese for “street market”—devoid of any feeling of bustle or vitality. Thong’s rhymed text doesn’t exactly explode with life either, as her androgynous young narrator answers the repeated rhetorical question, “What in the world / could you possibly see / at an old gai see . . . ” by focusing on a few distinctive foods and goods, from “oodles of noodles” and live seafood to “paper money / burned for prayer / to show ancestors / that we care.” Ending with an abbreviated New Year celebration, plus a closing invitation to readers to chime in with observations of their own, this offers informational dribs and drabs, but neither the strong atmosphere of William Low’s Chinatown (1997) nor the engaging personal voice of Kam Mak’s My Chinatown (2002). (Picture book. 7-9)
Pub Date: Aug. 1, 2007
ISBN: 978-0-8109-9337-2
Page Count: 40
Publisher: Abrams
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 2007
Trickling, bubbling, swirling, rushing, a river flows down from its mountain beginnings, past peaceful country and bustling city on its way to the sea. Hooper (The Drop in My Drink, 1998, etc.) artfully evokes the water’s changing character as it transforms from “milky-cold / rattling-bold” to a wide, slow “sliding past mudflats / looping through marshes” to the end of its journey. Willey, best known for illustrating Geraldine McCaughrean’s spectacular folk-tale collections, contributes finely detailed scenes crafted in shimmering, intricate blues and greens, capturing mountain’s chill, the bucolic serenity of passing pastures, and a sense of mystery in the water’s shadowy depths. Though Hooper refers to “the cans and cartons / and bits of old wood” being swept along, there’s no direct conservation agenda here (for that, see Debby Atwell’s River, 1999), just appreciation for the river’s beauty and being. (Picture book/nonfiction. 7-9)
Pub Date: June 1, 2000
ISBN: 0-7636-0792-4
Page Count: 32
Publisher: Candlewick
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 1, 2000
Nolen and Nelson offer a smaller, but no less gifted counterpart to Big Jabe (2000) in this new tall tale. Shortly after being born one stormy night, Rose thanks her parents, picks a name, and gathers lightning into a ball—all of which is only a harbinger of feats to come. Decked out in full cowboy gear and oozing self-confidence from every pore, Rose cuts a diminutive, but heroic figure in Nelson’s big, broad Western scenes. Though she carries a twisted iron rod as dark as her skin and ropes clouds with fencing wire, Rose overcomes her greatest challenge—a pair of rampaging twisters—not with strength, but with a lullaby her parents sang. After turning tornadoes into much-needed rain clouds, Rose rides away, “that mighty, mighty song pressing on the bull’s-eye that was set at the center of her heart.” Throughout, she shows a reflective bent that gives her more dimension than most tall-tale heroes: a doff of the Stetson to her and her creators. (author’s note) (Picture book. 7-9)
Pub Date: Sept. 1, 2003
ISBN: 0-15-216472-3
Page Count: 32
Publisher: Silver Whistle/Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 15, 2003
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
