Fails to achieve liftoff.
In this flaccid first novel, a scientist picks through memories of his marriage to a writer.
He’s no slouch, this Victor Aaron. The 58-year-old geneticist is a top Alzheimer’s researcher; after stints at Harvard and NYU, he’s now professor at a prestigious institute on Maine’s Mount Desert Island. His personal life is a mess since Sara, his wife of 33 years, died in a car accident. Victor has been meeting secretly once a week with Regina, a young postgraduate researcher on campus who writes poetry and enjoys burlesque dancing. Is she just “bereavement therapy”? Maybe so, for the sex has petered out since Victor became impotent, and Sara is always on his mind. When their marriage was going through a rough patch, her therapist had them write about its most important moments; in her index card notes, Sara comes through loud and clear. Professional advancement was important for this childless couple; Sara’s path was rockier than Victor’s. It was not until she turned 40 that she hit paydirt with a feminist play that became a Broadway smash. Another fallow period ended with her greatest success, a screenplay for a romantic comedy. Not surprisingly, Sara and Victor have different memories of these pivotal moments. Their adultery-free marriage is threatened only once, when an ill-chosen word of Victor’s leads to separate bedrooms and Sara’s departure to Los Angeles. The incident confirms the stereotypes of Temperamental Artist and Insensitive Scientist (“Victor listens to neurons, not people”). Baldwin tries to spice up his thinly plotted novel with an array of minor characters (his libertine best friend, his outspoken goddaughter, his gossipy aunt), all of them feistier than the bland Victor.
Fails to achieve liftoff.Pub Date: Aug. 12, 2010
ISBN: 978-1-59448-763-7
Page Count: 304
Publisher: Riverhead
Review Posted Online: June 4, 2010
Kirkus Reviews Issue: July 1, 2010
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
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