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THE ART OF LOSING IT

A raw, honest, and unsettling account lifted by flashes of humor and an ultimate victory.

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A debut memoir chronicles a woman’s struggles with alcoholism and drug abuse.

In January 1991, former Toronto TV news reporter Keevil was living in Vancouver with her husband, Barry, a successful lawyer. They had two children, 2-year-old Dixie and 4-year-old Willow, and were building a large vacation home in Whistler, British Columbia. And then Barry began experiencing serious pain in his knee and leg. In the middle of the night before his scheduled series of comprehensive tests, the author received a phone call from her mother in Toronto. Her older brother, Rob Parr, had been found unconscious in his Vancouver apartment. She drove to the emergency room. By February, Barry had been diagnosed with aggressive “T-cell immunoblastic non-Hodgkin’s lymphoma.” Rob had developed AIDS and was gradually dying. Part 1 of the memoir is so sad it is sometimes difficult to read. In emotional prose, Keevil describes in detail the months of tests, surgeries, and chemotherapy Barry endured to prolong his life. Simultaneously, the author was responsible for overseeing Rob’s care. There are passages that recount how she was hectically driving back and forth between the two hospitals. Every evening seemed to end with one, two, or three large glasses of white wine, signaling the problems that lay ahead. Part 2 fast-forwards to April 2002. As much as the first half of the painfully candid memoir is heart-rending, the beginning of the second half is terrifying. Keevil’s drinking was out of control. She commonly mixed alcohol with prescription drugs and, for a while, cocaine. One riveting section describes her driving Dixie home from school on the wrong side of the highway. Fortunately, she placed herself in a rehab facility. The author, who is working as a reporter again, writes with a novelist’s sense of drama. She deftly conveys the seductive comfort she found in her addictions despite the physical and emotional hangovers that inevitably followed: “Ahhhh...I feel such relief as I gulp down a glass of the nice, light French chardonnay. It’s a perfect breakfast wine.”

A raw, honest, and unsettling account lifted by flashes of humor and an ultimate victory.

Pub Date: Oct. 6, 2020

ISBN: 978-1-63152-777-7

Page Count: 328

Publisher: She Writes Press

Review Posted Online: Aug. 1, 2020

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  • New York Times Bestseller

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TANQUERAY

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

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A former New York City dancer reflects on her zesty heyday in the 1970s.

Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

Pub Date: July 12, 2022

ISBN: 978-1-250-27827-2

Page Count: 192

Publisher: St. Martin's

Review Posted Online: July 27, 2022

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MELANIA

A slick, vacuous glimpse into the former first lady’s White House years.

A carefully curated personal portrait.

First ladies’ roles have evolved significantly in recent decades. Their memoirs typically reflect a spectrum of ambition and interests, offering insights into their values and personal lives. Melania Trump, however, stands out as exceptionally private and elusive. Her ultra-lean account attempts to shed light on her public duties, initiatives, and causes as first lady, and it defends certain actions like her controversial “I REALLY DON’T CARE, DO U?” jacket. The statement was directed at the media, not the border situation, she claims. Yet the book provides scant detail about her personal orbit or day-to-day interactions. The memoir opens with her well-known Slovenian origin story, successful modeling career, and whirlwind romance with Donald Trump, culminating in their 2005 marriage, followed by a snapshot of Election Day 2016: “Each time we were together that day, I was impressed by his calm.…This man is remarkably confident under pressure.” Once in the White House, Melania Trump describes her functions and numerous public events at home and abroad, which she asserts were more accomplished than media representations suggested. However, she rarely shares any personal interactions beyond close family ties, notably her affection for her son, Barron, and her sister, Ines. And of course she lavishes praise on her husband. Minimal anecdotes about White House or cabinet staff are included, and she carefully defuses her rumored tensions with Trump’s adult children, blandly stating, “While we may share the same last name, each of us is distinct with our own aspirations and paths to follow.” Although Melania’s desire to support causes related to children’s and women’s welfare feels authentic, the overall tenor of her memoir seems aimed at painting a glimmering portrait of her husband and her role, likely with an eye toward the forthcoming election.

A slick, vacuous glimpse into the former first lady’s White House years.

Pub Date: Oct. 8, 2024

ISBN: 9781510782693

Page Count: 256

Publisher: Skyhorse Publishing

Review Posted Online: Oct. 14, 2024

Kirkus Reviews Issue: Dec. 1, 2024

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