Next book

BLOOD AND SAND

Author of several excellent high-action period juveniles for older readers, Sutcliffe applies her straight-arrow narration and uncluttered staging to a fictionalized version of the true story of a Scottish gunner and swordsman—who was taken prisoner by the Turks in 1807 and later became Emir of the holy city of Medina. To his surprise, Thomas Keith of the 78th Highlanders was not sent to Cairo after his capture in Egypt during the Napoleonic War. Instead, he was bought from his captors by the commander at El Hamid. Resigned, Thomas will settle down to learn Arabic and, at the suggestion of a courteous, friendly French colonel, study the Koran. (After his conversion to Islam, he'll be known as Ibrahim Effendi.) It is Thomas' friendship with Tussun, son of the Ottoman Viceroy in Egypt that shapes his career. (It was Tussun who released him from the commander.) Meanwhile, even off the battleground, Thomas has narrow escapes: once he's saved by the Vicereine's diplomacy and at another time he fights off ten men. There are also many forays of war, including the final campaigns to free the cities of the Hijaz on the western border of the Red Sea. Blood and sand there are aplenty—along with pounding hoofs; screaming men and beasts; war cries; long, long vistas, and, throughout, a tangle of treachery, baroque negotiations, and courtesies. Finally, Thomas has a brief interval of true happiness with the wife he rescued from a massacre, and he treasures the friendship with Tussun—but at the close, death carries the day. Although the boyish high-minded simplicity of the hero might be suited more to the older juvenile audience, this is nonetheless a forthright tale of national/tribal war, with action as clean as a hound's tooth.

Pub Date: Nov. 15, 1989

ISBN: 0340415185

Page Count: 350

Publisher: Hodder & Stoughton/Hachette UK

Review Posted Online: May 10, 2012

Kirkus Reviews Issue: Oct. 15, 1989

Categories:
Next book

TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

Categories:
Next book

LONESOME DOVE

A NOVEL (SIMON & SCHUSTER CLASSICS)

This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.

Pub Date: June 1, 1985

ISBN: 068487122X

Page Count: 872

Publisher: Simon & Schuster

Review Posted Online: Sept. 30, 2011

Kirkus Reviews Issue: May 15, 1985

Categories:
Close Quickview